TY  - BOOK
AU  - Chunko-Dominguez,Betsy
TI  - English Gothic misericord carvings: history from the bottom up 
T2  - Art and material culture in Medieval and Renaissance Europe
SN  - 9789004341203
AV  - NK9743 .C48 2017
U1  - 736/.40942 23
PY  - 2017///
CY  - Boston
PB  - Brill
KW  - Misericords
KW  - England
KW  - Themes, motives
KW  - Wood-carving, Medieval
KW  - Art and society
KW  - History
KW  - To 1500
KW  - Christian art and symbolism
KW  - Medieval, 500-1500
KW  - fast
KW  - Medieval
N1  - Includes bibliographical references and index; Preliminary Material -- Introduction: History from the “Bottom Up” -- 1 Meaning(s) and Medieval Misericords -- 2 Violent Women and the Clerical Gaze -- 3 The Abject and Uncanny Human Form -- 4 The Subject as Sign: Iconography of the Lay Classes -- 5 Image and Anxiety: Iconography of Hell and Damnation -- Afterword: The Vanishing Mediator -- Appendix: Dating the Misericords of Fairford -- Bibliography -- Index; Available to subscribing member institutions only
N2  - English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord’s several potential audiences – including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes ‘center’ and ‘margin’ as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture
UR  - http://dx.doi.org/10.1163/9789004341203
ER  -