TY - BOOK AU - Xiao,Li-ling TI - The eternal present of the past: illustration, theatre, and reading in the Wanli period, 1573-1619 T2 - Brill eBook titles 2007 SN - 9789047419952 AV - PL2386 .X53 2007 U1 - 895.124609 22 PY - 2007/// CY - Leiden, Biggleswade PB - Brill, Extenza Turpin [distributor] KW - Chinese drama KW - Ming dynasty, 1368-1644 KW - History and criticism N1 - Includes bibliographical references (p. [313]-334) and index; Preliminary Materials; L. Hsiao --; Introduction: Theater, Illustration, And Time; L. Hsiao --; Chapter One. Toward The Contextualization Of Woodblock Illustration: A Critique Of Art Historical Method; L. Hsiao --; Chapter Two. The Stage Or The Page: Competing Conceptions Of The Play In The Wanli Period; L. Hsiao --; Chapter Three. Performance Illustration; L. Hsiao --; Chapter Four. Performance As An Interaction With The Past; L. Hsiao --; Chapter Five. Image As An Interaction With The Past; L. Hsiao --; Chapter Six. Reading As An Interaction With The Past; L. Hsiao --; Conclusion: The Role Of The Publisher; L. Hsiao --; Appendix; L. Hsiao --; Glossary; L. Hsiao --; Bibliography; L. Hsiao --; Index; L. Hsiao; Available to subscribing member institutions only N2 - This study draws together various elements in late Ming culture – illustration, theater, literature – and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld. By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing UR - http://dx.doi.org/10.1163/ej.9789004156432.i-349 ER -