TY  - BOOK
AU  - Gérard,Albert S.
TI  - The Phaedra Syndrome: Of Shame and Guilt in Drama 
T2  - Literature and Cultural Studies - Book Archive pre-2000
SN  - 9789004648180
AV  - PN57.P48 
U1  - 808.829351 23
PY  - 1993///
CY  - Leiden, Boston
PB  - Brill
KW  - Drama
KW  - Guilt in literature. 
KW  - Shame in literature. 
N1  - Includes bibliographical references and index; Preliminary Material; Albert S. Gérard -- Introduction; Albert S. Gérard -- 1 The Honour Code Questioned: Euripides' Hippolutos (428 BC); Albert S. Gérard -- 2 Reason and Guilt: Seneca's Phaedra (First Century AD); Albert S. Gérard -- 3 The Ethics of Fear: Bandello's Novella 44 (1554); Albert S. Gérard -- 4 Justice and Revenge Reconciled: Lope de Vega's El Castigo Sin Venganza (1634); Albert S. Gérard -- 5 The Triumph of Guilt: Racine's Phèdre (1677); Albert S. Gérard -- 6 Phèdre , Racine and the Anguish of the Times; Albert S. Gérard -- Conclusion; Albert S. Gérard -- Bibliography; Albert S. Gérard
N2  - Originating probably in some oral cautionary tale, the Phaedra story illustrates a peculiar pattern of transgression and retribution. This Phaedra syndrome provided inspiration for many major writers from Euripides to Gabriele d'Annunzio. The present book offers a close re-reading and a re-assessment of four acknowledged masterpieces - Euripides' Hippolutos , Seneca's Phaedra , Lope de Vega's Castigo sin venganza and Racine's Phèdre : together with Lope's Italian source. Matteo Bandello's Novella 44 , they all deal with the old tale or none of its analogues. While paying minute comparative attention to the texts, it aims at clarifying the relevance of each work for the meandrous evolution of religious beliefs and ethical criteria in the history of European society, ranging from Democritus' effort to react against his contemporaries' archaic shame-culture attitudes to Latin Stoicism, to the syncretic Baroque outlook in siglo de oro drama and to the radical puritanical inwardness of French Jansenism. The last two chapters offer an original interpretation of Phèdre as the supreme poetic utterance of Racine's confusion and perplexity in front of the unresolved contradictions in his faith; a case is made in the Conclusion the view that the puzzled and puzzling mood of this mysterious play exemplifies the new mind-set that was paving the way for Enlightenment rationalism and the ensuing dechristianisation of the Western intelligentsia
UR  - http://dx.doi.org/10.1163/9789004648180
ER  -