TY  - BOOK
AU  - Joyce,Rosemary A.
TI  - Painted pottery of Honduras: object lives and itineraries 
T2  - The early Americas: history and culture,
SN  - 9789004341500
AV  - F1505.3.P6 
U1  - 972.83/01 23
PY  - 2017///
CY  - Leiden, Boston
PB  - Brill
KW  - Indian pottery
KW  - Honduras
KW  - Indians of Central America
KW  - Antiquities
KW  - Social life and customs
KW  - Material culture
KW  - History
KW  - To 1500
KW  - Painted pottery
N1  - Includes bibliographical references and index; Introduction; Rosemary A. Joyce --; Using Pots; Rosemary A. Joyce --; Forming Intentions; Rosemary A. Joyce --; Feasting Families; Rosemary A. Joyce --; Telling Stories; Rosemary A. Joyce --; Honoring Ancestors; Rosemary A. Joyce --; Burying Pots; Rosemary A. Joyce --; Understanding Fragments; Rosemary A. Joyce --; Collecting Pots; Rosemary A. Joyce --; Making Time; Rosemary A. Joyce --; Finding Places; Rosemary A. Joyce --; Tracing Boundaries; Rosemary A. Joyce --; Picturing Meaning; Rosemary A. Joyce --; Epilogue; Rosemary A. Joyce --; Afterword; Rosemary A. Joyce; Available to subscribing member institutions only
N2  - In Painted Pottery of Honduras Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD, and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of indigenous societies composed of wealthy farmers engaged in long-distance relationships extending from Costa Rica to Mexico. Drawing on concepts of agency, practice, and intention, Rosemary Joyce takes a potter's perspective and develops a generational workshop model for innovation by communities of practice who made and used painted pottery in serving meals and locally meaningful ritual practices
UR  - http://dx.doi.org/10.1163/9789004341500
ER  -