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Jewish Art in Late Antiquity : The State of Research in Ancient Jewish Art / Shulamit Laderman.

By: Material type: TextSeries: Brill Research Perspectives in Humanities and Social SciencesPublisher: Leiden; Boston : Brill, [2021]Copyright date: ©2022Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004509580
  • 9789004428577
Other title:
  • The State of Research in Ancient Jewish Art
Subject(s): Additional physical formats: Print version:: Jewish Art in Late Antiquity : The State of Research in Ancient Jewish Art.DDC classification:
  • 704.94896 23
LOC classification:
  • N7415
Online resources:
Contents:
Preliminary Material / Shulamit Laderman -- Copyright page / Shulamit Laderman -- Jewish Art in Late Antiquity -- The State of Research in Ancient Jewish Art / Shulamit Laderman.
Summary: Antique Jewish art visualized the idea that the essence of God is beyond the world of forms. In the Bible, the Israelites were commanded to build sanctuaries without cult statues. Following the destruction of the Second Temple, Jews turned to literary and visual aids to fill the void. In this accessible survey, Shulamit Laderman traces the visualizations of the Tabernacle implements, including the seven-branch menorah, the Torah ark, the shofar, the four species, and other motifs associated with the Hebrew Bible and the Jewish calendar. These motifs evolved into iconographic symbols visualized in a range of media, including coins, funerary art, and synagogue decorations in both Israel and the Diaspora. Particular attention is given to important discoveries such as the frescoes of the third-century CE synagogue in Dura-Europos, mosaic floors in synagogues in Galilee, and architectural and carved motifs that decorated burial places.
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Includes bibliographical references and index.

Preliminary Material / Shulamit Laderman -- Copyright page / Shulamit Laderman -- Jewish Art in Late Antiquity -- The State of Research in Ancient Jewish Art / Shulamit Laderman.

Antique Jewish art visualized the idea that the essence of God is beyond the world of forms. In the Bible, the Israelites were commanded to build sanctuaries without cult statues. Following the destruction of the Second Temple, Jews turned to literary and visual aids to fill the void. In this accessible survey, Shulamit Laderman traces the visualizations of the Tabernacle implements, including the seven-branch menorah, the Torah ark, the shofar, the four species, and other motifs associated with the Hebrew Bible and the Jewish calendar. These motifs evolved into iconographic symbols visualized in a range of media, including coins, funerary art, and synagogue decorations in both Israel and the Diaspora. Particular attention is given to important discoveries such as the frescoes of the third-century CE synagogue in Dura-Europos, mosaic floors in synagogues in Galilee, and architectural and carved motifs that decorated burial places.

Description based on print version record.

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