Includes bibliographical references (p. 314-316).

Preliminary Material / Teresa Hubel and Neil Brooks -- \'WHAT IS IN MY BLOOD?\': CONTEMPORARY BLACK SCOTTISHNESS AND THE WORK OF JACKIE KAY / Teresa Hubel and Neil Brooks -- “EVERYONE WAS VAGUELY RELATED”: HYBRIDITY AND THE POLITICS OF RACE IN SRI LANKAN LITERARY DISCOURSES IN ENGLISH / Teresa Hubel and Neil Brooks -- PASSING TRANSGRESSIONS AND AUTHENTIC IDENTITY IN JESSIE FAUSET’S PLUM BUN AND NELLA LARSEN’S PASSING / Teresa Hubel and Neil Brooks -- WHITENESS AS UNSTABLE CONSTRUCTION : KATE PULLINGER’S THE LAST TIME I SAW JANE / Teresa Hubel and Neil Brooks -- BECOMING CHINESE: RACIAL AMBIGUITY IN AMY TAN’S THE JOY LUCK CLUB / Teresa Hubel and Neil Brooks -- STRATEGIC CRÉOLITÉ: CALIBAN AND MIRANDA AFTER EMPIRE / Teresa Hubel and Neil Brooks -- WHITE IDENTITY AND THE NEW ETHIC IN FAULKNER’S LIGHT IN AUGUST / Teresa Hubel and Neil Brooks -- WHITE FATHERS, BROWN DAUGHTERS: THE FRISBIE FAMILY ROMANCE AND THE AMERICAN PACIFIC / Teresa Hubel and Neil Brooks -- WRITING CULTURE AND PERFORMING RACE IN MOURNING DOVE’S COGEWEA, THE HALF-BLOOD (1927) / Teresa Hubel and Neil Brooks -- VISIBLE DIFFERENCES: VIEWING RACIAL IDENTITY IN TONI MORRISON’S PARADISE AND “RECITATIF” / Teresa Hubel and Neil Brooks -- LOOKING DIFFERENT/RE-THINKING DIFFERENCE: GLOBAL CONSTRAINTS AND/OR CONTRADICTORY CHARACTERISTICS IN YASMINE GOONERATNE’S A CHANGE OF SKIES AND ADIB KHAN’S SEASONAL ADJUSTMENTS / Teresa Hubel and Neil Brooks -- JESSIE FAUSET’S FICTION: RECONSIDERING RACE AND REVISING AESTHETICISM / Teresa Hubel and Neil Brooks -- “I MAY CREATE A MONSTER”: CHERRÍE MORAGA’S TRANSCULTURAL CONUNDRUM / Teresa Hubel and Neil Brooks -- REVISITING THE THIRD SPACE: READING DANZY SENNA’S CAUCASIA / Teresa Hubel and Neil Brooks -- NOTES ON THE AUTHORS / Teresa Hubel and Neil Brooks.

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