Includes bibliographical references and index.

Front Matter -- Preliminary Material / Editor: Tom Conner -- Acknowledgments / Editor: Tom Conner -- Introduction / Tom Conner -- Recognizing Roland: The Response of The Medieval Audience to The Dreams of Charlemagne in The Song of Roland / Benjamin M. Semple -- The Vision as Void: The Empty Space of The Imagination in Baroque Poetry / Kathleen A. Perry -- The Turbulent Dream-Vision of Descartes’s “Olympian” Experience / Charles D. Minahen -- Dreams and Narrative Coherence in Voltaire / Virginia Marino -- The Dream: Framing and Function in French Literature / Laurence M. Porter -- Solitude and The Dream of German Nationhood in Germaine de Staël’s De L’Allemagne / M. Martin Guiney -- Figuring Woman: Romantic Daydreaming in Chateaubriand’s Mot / Tom Conner -- The Oneiric Landscape of Verlaine’s Paris and The City Of “Nowhere” / Jay Lutz -- Margins of Madness and Creativity: Nineteenth-Century French Psychiatric and Literary Discourses on Dream / Adrianna M. Paliyenko -- Back Matter -- Contributors / Editor: Tom Conner.

The nine essays in this volume deal with several well known French authors through the ages - for example Descartes, Voltaire, Mme de Staël, Nerval, Verlaine - and explore the problematic relationship between dreams and literature. Generally speaking, contributors are interested in the production of literary meaning. How does various dream material, ranging from the traditional dream to visions and hallucinations and day dreams, come to be? And how is the dream image transformed into discourse? What exactly is the relationship between dream and narrative? Each essay focuses on a different author and different period, ranging from the Middle Ages to the late nineteenth-century, but also takes a unique critical and theoretical approach. What the contributors have in common, though, is an analytical, sensemaking strategy that characterizes the interpretation of dreams through the ages, from ancients such as Artemidorus and Cicero to modern thinkers such as Freud. Most of the texts studied here, from the Chanson de Roland to Chateaubriand's Mémoires d'outre-tombe , lend themselves to this type of approach because they promote narrative unity. So too do Voltaire, Mme de Staël, Nerval and Verlaine. Many if not most texts, however, in the end, turn out to be not quite so tightly-knit as one may have supposed at first and, in the case of Agrippa d'Aubigné and Descartes, the reader is in for several surprises when the normal course of events leading from dream to text, from signifier to signified, is interrupted and subverted.

English

Description based on print version record.