Conquest and construction : palace architecture in northern Cameroon / by Mark Dike DeLancey.
Material type:
TextSeries: African History ; 5. | Social Sciences E-Books Online, Collection 2016, ISBN: 9789004303959Publisher: Leiden ; Boston : Brill, [2016]Description: 1 online resource (xvi, 298 pages)Content type: - text
- computer
- online resource
- 9789004316126
- Palaces -- Cameroon -- History
- Architecture -- Cameroon -- History
- Architecture
- Fula (African people)
- Fula (African people) -- Kings and rulers
- Kings and rulers -- Dwellings
- Palaces
- Fulani Empire -- History
- Ngaoundéré (Cameroon) -- Kings and rulers -- Dwellings -- History
- Africa -- Fulani Empire
- Cameroon
- Cameroon -- Ngaoundéré
- 728.82096711 23
- NA1599.C3 D45 2016
Includes bibliographical references and index.
Preliminary Material / Mark Dike DeLancey -- Introduction / Mark Dike DeLancey -- Architectural Form / Mark Dike DeLancey -- Political Symbolism / Mark Dike DeLancey -- Spatial Orientation / Mark Dike DeLancey -- Ritual Movement / Mark Dike DeLancey -- Secrecy / Mark Dike DeLancey -- Conclusion / Mark Dike DeLancey -- Bibliography / Mark Dike DeLancey -- Index / Mark Dike DeLancey.
Available to subscribing member institutions only.
In Conquest and Construction Mark Dike DeLancey investigates the palace architecture of northern Cameroon, a region that was conquered in the early nineteenth century by primarily semi-nomadic, pastoralist, Muslim, Fulɓe forces and incorporated as the largest emirate of the Sokoto Caliphate. Palace architecture is considered first and foremost as political in nature, and therefore as responding not only to the needs and expectations of the conquerors, but also to those of the largely sedentary, agricultural, non-Muslim conquered peoples who constituted the majority population. In the process of reconciling the cultures of these various constituents, new architectural forms and local identities were constructed.
Description based on online resource; title from digital title page (viewed on July 25, 2016).
There are no comments on this title.