Includes bibliographical references and index.

Preliminary Material / C.C. Barfoot and Theo D’haen -- Introduction: The Year 88 / C.C. Barfoot and Theo D’haen -- Hauntings 1: Pope’s Ghosts / C.C. Barfoot -- The Papist’s House, The Papist’s Horse: Alexander Pope and the Removal from Binfield / Paul Gabriner -- Pope’s Janus-Faced Imagery / Paul Franssen -- Pope, Locke, and The New Dunciad / J.P. Vander Motten -- A Common Language: Mandeville as a Contemporary of Pope / J.J. Peereboom -- Goodness and Good Humour: Pope and the Later Eighteenth Century / Felicity Rosslyn -- The Rape of the Lock and The Waste Land : Versions of the Mock-Heroic / Kristiaan Versluys -- Translating The Rape of the Lock : The Battle, the Strategy and the Tactics / Wim Tigges -- Hauntings 2: Byron’s Phantoms / C.C. Barfoot -- Byron’s “Poetical System” — Revolutionary or Augustan? / Christopher Salvesen -- “Poetry” Versus “Verse”: Byron Prefers Erring with Pope / Peter J. de Voogd -- Byron’s Vision of Dante / Valeria Tinkler-Villani -- Bilderdijk between Pope and Byron: The Paradox of His Translation of An Essay on Man into Dutch / Cornelis W. Schoneveld -- The Dutch Byron: Byron in Dutch Translation / Theo D’haen -- Hauntings 3: Eliot’s Spooks / C.C. Barfoot -- T.S. Eliot, the Invisible Philosopher / Jane Mallinson -- Original Sin: T.S. Eliot and T.E. Hulme / Dominic Baker-Smith -- The Mask of Agamemnon: Reflexions upon Eliot’s “Sweeney among the Nightingales” / Robert Druce -- “And Voices Are in the Wind’s Singing”: On the Voices of T.S. Eliot / August J. Fry -- “And to Make an End is to Make a Beginning”: A Reading of “Marina” / E.M. Knottenbelt -- Bacon and Eliot, Eliot and Bacon: The Handling of Medium and Image / T.H.B.M. Harmsen -- The Influence of T.S. Eliot on a Representative Modern Arab Poet, Badr Shāh Al-Sayyāb / Pieter Smoor -- Contributors / C.C. Barfoot and Theo D’haen.

English

Description based on print version record.