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A sense of the city : modes of urban representation in the works of Nagai Kafu (1879-1959) / by Gala Maria Follaco.

By: Material type: TextSeries: East Asian comparative literature and culture ; 9 | East Asian Comparative Literature and Culture ; 9. | Asian Studies E-Books Online, Collection 2018, ISBN: 9789004353268Publisher: Leiden ; Boston : Brill, 2017Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004345386
Subject(s): Additional physical formats: Print version:: Sense of the cityDDC classification:
  • 895.63/42 23
LOC classification:
  • PL812.A4
Online resources:
Contents:
Summary: In A Sense of the City , Gala Maria Follaco examines Nagai Kafū’s (1879-1959) literary construction of urban spatialities from late Meiji through the early Shōwa period. She argues that Kafū’s urban critique was based on his awareness of the cultural sedimentation of the cityscape and of the complex relationship that it bore with the historical framework of modern Japan. With the overall aim to define Kafū’s position within pre-war Japanese literature, Follaco touches upon key issues such as memory, class difference, and language ideologies; draws connections between his sojourn abroad and strategies of “mapping” the city of Tokyo in his literature; and takes into account works previously understudied, including his biography of Washizu Kidō and his photographs.
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Includes bibliographical references and index.

Front Matter -- Foreword -- Acknowledgments -- Introduction -- Abroad -- Shanghai -- Tacoma, Seattle, Kalamazoo -- New York -- Lyon, Paris -- Tokyo -- Dealing with the Other -- Rhetoric of Places -- Deletion, Ingenuousness, Memory -- An Intimate Cartography -- Conclusion.

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In A Sense of the City , Gala Maria Follaco examines Nagai Kafū’s (1879-1959) literary construction of urban spatialities from late Meiji through the early Shōwa period. She argues that Kafū’s urban critique was based on his awareness of the cultural sedimentation of the cityscape and of the complex relationship that it bore with the historical framework of modern Japan. With the overall aim to define Kafū’s position within pre-war Japanese literature, Follaco touches upon key issues such as memory, class difference, and language ideologies; draws connections between his sojourn abroad and strategies of “mapping” the city of Tokyo in his literature; and takes into account works previously understudied, including his biography of Washizu Kidō and his photographs.

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