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Ambivalent Conventions : Formula and Parody in Old French / Anne Elizabeth Cobby.

By: Material type: TextLanguage: English Series: Faux Titre ; 101. | Literature and Cultural Studies - Book Archive pre-2000Publisher: Leiden ; Boston : Brill, 1995Copyright date: ©1995Description: 1 online resource (192 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004648395
Other title:
  • Formula and Parody in Old French
Subject(s): Additional physical formats: Print version:: Ambivalent Conventions : Formula and Parody in Old French.DDC classification:
  • 842.9 23
LOC classification:
  • PQ188
Online resources:
Contents:
Preliminary Material / Anne Elizabeth Cobby -- Preface / Anne Elizabeth Cobby -- Abbreviations / Anne Elizabeth Cobby -- Chapter 1 Introduction / Anne Elizabeth Cobby -- Chapter 2 The Fabliaux / Anne Elizabeth Cobby -- Chapter 3 Aucassin et Nicolette / Anne Elizabeth Cobby -- Chapter 4 Le Pèlerinage de Charlemagne The Epic Tradition / Anne Elizabeth Cobby -- Chapter 5 Le Pèlerinage de Charlemagne Romance and Religion / Anne Elizabeth Cobby -- Chapter 6 Conclusion / Anne Elizabeth Cobby -- Appendix Le Pèlerinage de Charlemagne Three Philological Points / Anne Elizabeth Cobby -- Bibliography / Anne Elizabeth Cobby.
Summary: Much work has already been done on the conventions and formulae of Old French literature, particularly epic literature, and on parody in the French Middle Ages. This book links these approaches, widens the concept of 'formula', and aims to show that certain authors, far from being enslaved by the conventions within which they worked, were conscious of them and could master them with sufficient independence to exploit them for calculated literary effect, and in particular for parody. It studies the fabliaux, Aucassin et Nicolette and Le Pèlerinage de Charlemagne , texts in which formulae play a varied and subtle part. In the fabliaux we find that formulae borrowed from serious literature add parodic depth to the often simple humour of these tales, but that the genre as a whole is not essentially parodic. Aucassin et Nicolette uses conventions to arouse expectations which may or may not be satisfied; parody proves to be fundamental to this work. The approach shows its full potential when applied to Le Pèlerinage de Charlemagne ; study of this text's use of formulae of the epic and romance traditions reveals a high degree of complexity and a finely nuanced parody.
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Includes bibliographical references and index.

Preliminary Material / Anne Elizabeth Cobby -- Preface / Anne Elizabeth Cobby -- Abbreviations / Anne Elizabeth Cobby -- Chapter 1 Introduction / Anne Elizabeth Cobby -- Chapter 2 The Fabliaux / Anne Elizabeth Cobby -- Chapter 3 Aucassin et Nicolette / Anne Elizabeth Cobby -- Chapter 4 Le Pèlerinage de Charlemagne The Epic Tradition / Anne Elizabeth Cobby -- Chapter 5 Le Pèlerinage de Charlemagne Romance and Religion / Anne Elizabeth Cobby -- Chapter 6 Conclusion / Anne Elizabeth Cobby -- Appendix Le Pèlerinage de Charlemagne Three Philological Points / Anne Elizabeth Cobby -- Bibliography / Anne Elizabeth Cobby.

Much work has already been done on the conventions and formulae of Old French literature, particularly epic literature, and on parody in the French Middle Ages. This book links these approaches, widens the concept of 'formula', and aims to show that certain authors, far from being enslaved by the conventions within which they worked, were conscious of them and could master them with sufficient independence to exploit them for calculated literary effect, and in particular for parody. It studies the fabliaux, Aucassin et Nicolette and Le Pèlerinage de Charlemagne , texts in which formulae play a varied and subtle part. In the fabliaux we find that formulae borrowed from serious literature add parodic depth to the often simple humour of these tales, but that the genre as a whole is not essentially parodic. Aucassin et Nicolette uses conventions to arouse expectations which may or may not be satisfied; parody proves to be fundamental to this work. The approach shows its full potential when applied to Le Pèlerinage de Charlemagne ; study of this text's use of formulae of the epic and romance traditions reveals a high degree of complexity and a finely nuanced parody.

English

Description based on print version record.

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