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Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde / Eugenia Bogdanova-Kummer.

By: Material type: TextSeries: Japanese Visual Culture ; 19.Publisher: Leiden; Boston : BRILL, 2021Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004437067
  • 9789004424654
Subject(s): Additional physical formats: Print version:: Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde, DDC classification:
  • 705 23
LOC classification:
  • N7480
Online resources: Summary: The Bokujinkai-or 'People of the Ink'-was a group formed in Kyoto in 1952 by five calligraphers: Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To this end, the Bokujinkai collaborated with artists from European Art Informel and American Abstract Expressionism, sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. The first English-language book to focus on the postwar history of Japanese calligraphy, Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde explains how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.
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The Bokujinkai-or 'People of the Ink'-was a group formed in Kyoto in 1952 by five calligraphers: Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To this end, the Bokujinkai collaborated with artists from European Art Informel and American Abstract Expressionism, sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. The first English-language book to focus on the postwar history of Japanese calligraphy, Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde explains how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.

Description based on print version record.

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