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Replacement : Loss and Substitution in Culture and Society / Naomi Segal.

By: Material type: TextLanguage: English Series: Critical Studies ; 45. | Literature and Cultural Studies E-Books Online, Collection 2026Publisher: Leiden ; Boston : BRILL, 2026Copyright date: ©2026Description: 1 online resource (250 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004759749
Other title:
  • Loss and Substitution in Culture and Society
Subject(s): Additional physical formats: Print version:: Replacement : Loss and Substitution in Culture and Society.DDC classification:
  • 800 23
LOC classification:
  • PK6530
Online resources:
Contents:
Content -- Introduction -- 2 Replacement Children -- 3 Dead and Undead -- 4 Medea -- 5 Rebecca -- 6 Half-Human and Posthuman -- 7 The Irreplaceable André Gide -- 8 Conclusion -- Bibliography -- Index.
Summary: Replacement is always dramatic. How does one thing or person appearing in the place of another – the second baby, the new lover, the maternity cover or ‘surrogate’ mother – constitute a threat to the earlier occupant of that place? Or is the superseding figure haunted by the one for whom they substitute? What happens psychologically or socially to the pair-structure which is thus up-ended? Whom do we blame, whom do we hate, when we find ourselves in this drama? What do we want when we imagine ourselves to be irreplaceable? How might the idea of uniqueness lead to an unstoppable chain of repetitions? See Less
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Includes bibliographical references and index.

Content -- Introduction -- 2 Replacement Children -- 3 Dead and Undead -- 4 Medea -- 5 Rebecca -- 6 Half-Human and Posthuman -- 7 The Irreplaceable André Gide -- 8 Conclusion -- Bibliography -- Index.

Replacement is always dramatic. How does one thing or person appearing in the place of another – the second baby, the new lover, the maternity cover or ‘surrogate’ mother – constitute a threat to the earlier occupant of that place? Or is the superseding figure haunted by the one for whom they substitute? What happens psychologically or socially to the pair-structure which is thus up-ended? Whom do we blame, whom do we hate, when we find ourselves in this drama? What do we want when we imagine ourselves to be irreplaceable? How might the idea of uniqueness lead to an unstoppable chain of repetitions? See Less

English

Description based on print version record.

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