Preliminary Material -- Copyright page -- Acknowledgements -- Figures -- Notes on Contributors -- Introduction / Vladimir Ivanovici / Alice Isabella Sullivan -- Chapter 1 Illuminated by Divine Presence: Natural Light in the Katholikon at Dečani Monastery / Anna Adashinskaya -- Chapter 2 Natural Darkness and the Transfiguration Church on Il’ina Street in Novgorod (1378) / Olga Yunak -- Chapter 3 Transparency, Color, and Light at Ferapontov Monastery’s Nativity of the Mother of God Church / Maria Shevelkina -- Chapter 4 The Blessed Sacrament Shining in Light: Windowed Niches in Medieval Livonian Churches / Vera Henkelmann -- Chapter 5 Seeing beyond Seeing: Light and Theophanic Contemplation at the Enkleistra of Neophytos, Cyprus / Maria Paschali / Dimitris Minasidis -- Chapter 6 Space and Light: Aesthetics of Light in the Byzantine Church / Iakovos Potamianos -- Chapter 7 Light of the East in the West: Natural Light in the Monastic Rupestrian Complex of San Pedro de Rocas (Galicia) / Natalia Figueiras Pimentel / Jorge López Quiroga -- Chapter 8 Sun, Stones, and Saints: On the Orientation of the Church of Sant’Ambrogio alla Rienna ( SA ) / Andrea Mattiello -- Chapter 9 Natural Light in the Church of the Holy Cross at Pătrăuți Monastery / Vladimir Ivanovici / Alice Isabella Sullivan / Gabriel-Dinu Herea -- Chapter 10 Modeling the Sunlight Illumination of the Church at Studenica Monastery / Travis Yeager / Jelena Bogdanović / Leslie Forehand / Dušan Danilović / Magdalena Dragović / Debanjana Chatterjee / Jacob Gasper, Marko Pejić / Aleksandar Čučaković / Anastasija Martinenko / Charles Kerton -- Chapter 11 Architectural Emptiness and Natural Light: The Church of the Virgin at Studenica Monastery / Ljiljana Čavić -- Chapter 12 Canticle of the Sun: Archaeoastronomy and Solar Eucharistic Worship in the Millennial New World / Rubén G. Mendoza -- Indexes.

Inside Christian churches, natural light has long been harnessed to underscore theological, symbolic, and ideological statements. In this volume, twenty-four international scholars with various specialties explore how the study of sunlight can reveal essential aspects of the design, decoration, and function of medieval sacred spaces. Themes covered include the interaction between patrons, advisors, architects, and artists, as well as local negotiations among competing traditions that yielded new visual and spatial constructs for which natural light served as a defining and unifying factor. The study of natural light in medieval churches reveals cultural relations, knowledge transfer patterns, processes of translation and adaptation, as well as experiential aspects of sacred spaces in the Middle Ages. Contributors are: Anna Adashinskaya, Jelena Bogdanović, Debanjana Chatterjee, Ljiljana Čavić, Aleksandar Čučaković, Dušan Danilović, Magdalena Dragović, Natalia Figueiras Pimentel, Leslie Forehand, Jacob Gasper, Vera Henkelmann, Gabriel-Dinu Herea, Vladimir Ivanovici, Charles Kerton, Jorge López Quiroga, Anastasija Martinenko, Andrea Mattiello, Rubén G. Mendoza, Dimitris Minasidis, Maria Paschali, Marko Pejić, Iakovos Potamianos, Maria Shevelkina, Alice Isabella Sullivan, Travis Yeager, and Olga Yunak.

English

Description based on print version record.