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Metaphors, narratives, emotions : (Record no. 48843)

MARC details
000 -LEADER
fixed length control field 05098cam a2200529Ii 4500
001 - CONTROL NUMBER
control field BRILL9789042027800
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105820.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 100421s2010 ne sb 001 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2010278590
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789042027800
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789042027794
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789042027800
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)497573707
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number BC177
Item number .S74 2010
072 #7 - SUBJECT CATEGORY CODE
Subject category code GT
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code POL000000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 160
100 0# - MAIN ENTRY--PERSONAL NAME
Personal name Stefán Snævarr,
Dates associated with a name 1953-
245 10 - TITLE STATEMENT
Title Metaphors, narratives, emotions :
Remainder of title their interplay and impact /
Statement of responsibility, etc. Stefán Snævarr.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Amsterdam ;
-- New York :
Name of producer, publisher, distributor, manufacturer Rodopi.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2010.
300 ## - online resource
Extent 1 online resource (viii, 398 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Consciousness, literature & the arts,
International Standard Serial Number 1573-2193 ;
Volume/sequential designation 24
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. 383-394) and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Preliminary Material -- A Book Of Mosaic -- Introducing metaphors (and masks) -- The magic of metaphoric masques: Ricæur on Metaphors -- Understanding Metaphors: The Alethetic Theory -- Metaphorism, Iconodulism, and Ana-logic: Transcendental Metaphors and Analogical Reasoning -- Generative Metaphorics: The Cognitive Semantics of the Lakoff School -- The Heresy of Paraphrase Revisited: Can Poems be Paraphrased? -- Notes on Ana-logic and Summary of Section I -- The Story and The Narrative: Introducing Some Notions of Narratology -- Historical Narratives: Their Nature and the Nature of Narrative Explanations -- Fictional and Non-Fictional Narratives: On White’s Tropology, the Concept of Literature and Related Issues -- Narratives as ‘Factions’: Ricæur on Facts, Fictions and Stories -- The Story and The Metaphor: The N-M: On the Relationship between Narratives and Metaphors -- Don Quixote and Narrativism: The Scope of Stories and Narratives in Human Existence -- Notes on Narra-Logic and Summary Of Section II -- Cognitivism, Naturalism, Subjectivism: Theories about Emotions -- Towards Hermeneutic Construalism: Roberts, Taylor, Construalism, Hermeneutics and Emotions -- Emotions and Narrations -- Emotions and Meaning -- The Maieutics of Ana-Logic: On poetic metaphors, similes, emotions, and tacit knowledge -- Notes on Enal and Emo-Logic and Summary of Section III -- Conclusion of The Book, Or the (Un) Holy Trinity -- Bibliography -- Index of names.
506 ## - RESTRICTIONS ON ACCESS NOTE
Terms governing access Available to subscribing member institutions only.
520 ## - SUMMARY, ETC.
Summary, etc. This book argues that there is a complex logical and epistemological interplay between the concepts of metaphor, narrative, and emotions. They share a number of important similarities and connections. In the first place, all three are constituted by aspect-seeing, the seeing-as or perception of Gestalts. Secondly, all three are meaning-endowing devices, helping us to furnish our world with meaning. Thirdly, the threesome constitutes a trinity. Emotions have both a narrative and metaphoric structure, and we can analyse the concepts of metaphors and narratives partly in each other’s terms. Further, the concept of narratives can partly be analysed in the terms of emotions. And if emotions have both a narrative structure and a metaphoric one, then the concept of emotions must to some extent be analysable through the concepts of narratives and metaphors. But there is more. Metaphors (especially poetic ones) are important tools for the understanding of the tacit sides of emotions, perhaps because of the metaphoric structure of emotions. The notion that narrations can be tools for understanding emotions follows from two facts: narrations are devices for explanation and emotions have a narrative structure. Fourthly, the threesome has an impact on our rationality. It has become commonplace to say that emotions have a cognitive content, that narratives have an explanatory function, and that metaphors can perform cognitive functions. This book is the first attempt to articulate the implications that these new ways of seeing the three concepts entail for our concept of reason. The cognitive roles of the threesome suggest a richer notion of rationality than has traditionally been held, a rationality enlivened with metaphoric, narrative, and emotive qualities.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Reason.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Metaphor.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Narration (Rhetoric)
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Emotions.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Emotions.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Metaphor.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Narration (Rhetoric)
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Reason.
Source of heading or term fast
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Metaphors, Narratives, Emotions: Their Interplay and Impact
Place, publisher, and date of publication Leiden, Boston : Brill | Rodopi, 2010,
International Standard Book Number 9789042027794
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Consciousness, Literature and the Arts
Volume/sequential designation 24.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Literature and Cultural Studies E-Books Online, Collection 2010, ISBN: 9789004357921.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789042027800">http://dx.doi.org/10.1163/9789042027800</a>

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