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Images of cosmology in Jewish and Byzantine art : (Record no. 48693)

MARC details
000 -LEADER
fixed length control field 03523nam a2200505 i 4500
001 - CONTROL NUMBER
control field BRILL9789004252196
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105818.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 130628s2013 mau sb 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004252196
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789004233249
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789004252196
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)851191809
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N8012.C57
Item number L33 2013
072 #7 - SUBJECT CATEGORY CODE
Subject category code ART
Subject category code subdivision 035000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code HRC
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code REL
Subject category code subdivision 070000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 704.9/482
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Laderman, Shulamith.
245 10 - TITLE STATEMENT
Title Images of cosmology in Jewish and Byzantine art :
Remainder of title God's blueprint of creation /
Statement of responsibility, etc. by Shulamit Laderman.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Boston :
Name of producer, publisher, distributor, manufacturer Brill,
Date of production, publication, distribution, manufacture, or copyright notice 2013.
300 ## - online resource
Extent 1 online resource (xxi, 318 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Jewish and Christian perspectives series ;
Volume/sequential designation v. 25
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Preliminary Material -- Introduction -- 1. Jewish and Christian Reciprocal Influences -- 2. The Blueprint of Creation in the Bible and Its Allegorical Interpretations -- 3. Creation in Christian Works -- 4. Creation as Interpreted in Jewish Art -- 5. Visualizing Creation in a Fourteenth-Century Jewish Manuscript -- 6. The Tabernacle and the Ark of the Covenant -- 7. The Temple: History and Ideology -- 8. The Synagogue as a Minor Temple -- 9. Schematic Models: Forms of Visual Interpretation -- 10. Perspective Imaging of the Tabernacle -- 11. The Art of Memory: The Sanctuary, Its Sacrifices, and Its Cosmic Import -- 12. Christian Supersession of Jewish Ideas -- Epilogue -- Addendum -- Glossary -- Bibliography -- Index -- Illustrations.
506 ## - RESTRICTIONS ON ACCESS NOTE
Terms governing access Available to subscribing member institutions only.
520 ## - SUMMARY, ETC.
Summary, etc. Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Cosmology in art.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Jewish art and symbolism
General subdivision Themes, motives.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Byzantine
General subdivision Themes, motives.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Judaism
General subdivision Relations
-- Christianity.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Christianity and other religions
General subdivision Judaism.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element ART / Subjects & Themes / Religious
Source of heading or term bisacsh
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Laderman, Shulamith.
Title Images of cosmology in Jewish and Byzantine art.
Place, publisher, and date of publication Boston : Brill, 2013
International Standard Book Number 9789004233249
Record control number (DLC) 2013011755
-- (OCoLC)836261555
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Jewish and Christian Perspectives Series
Volume/sequential designation 25.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Biblical Studies, Ancient Near East and Early Christianity E-Books Online, Collection 2013, ISBN: 9789004248649.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004252196">http://dx.doi.org/10.1163/9789004252196</a>

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