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When Literature Becomes Opera : (Record no. 47690)

MARC details
000 -LEADER
fixed length control field 03599nam a22005058i 4500
001 - CONTROL NUMBER
control field BRILL9789004647664
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105800.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240309s1999 gw sb 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004647664
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789042006942
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789004647664
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1416779478
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML3858
072 #7 - SUBJECT CATEGORY CODE
Subject category code JFC
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code SOC
Subject category code subdivision 022000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code SOC
Subject category code subdivision 026000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 782.1
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rosmarin, Leonard A.,
Relator term author.
245 10 - TITLE STATEMENT
Title When Literature Becomes Opera :
Remainder of title Study of a Transformational Process /
Statement of responsibility, etc. Leonard Rosmarin.
246 3# - VARYING FORM OF TITLE
Title proper/short title Study of a Transformational Process
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Leiden ;
-- Boston :
Name of producer, publisher, distributor, manufacturer Brill,
Date of production, publication, distribution, manufacture, or copyright notice 1999.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©1999
300 ## - online resource
Extent 1 online resource (164 pages) :
Other physical details illustrations.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Chiasma ;
Volume/sequential designation 8
490 1# - SERIES STATEMENT
Series statement Literature and Cultural Studies - Book Archive pre-2000
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Title Preliminary Material /
Statement of responsibility Léonard Rosmarin -- Acknowledgements /
-- Léonard Rosmarin -- Introduction /
-- Léonard Rosmarin -- Part 1 Reinforcing the Centre of Gravity /
-- Léonard Rosmarin -- Part 2 The Creation of Exemplary Figures /
-- Léonard Rosmarin -- Conclusion /
-- Léonard Rosmarin -- Selected Bibliography /
-- Léonard Rosmarin.
520 ## - SUMMARY, ETC.
Summary, etc. Perhaps no other art form in the Western world has polarized opinion to the same extent as opera. While its devotees can be almost fanatical in their enthusiasm, its detractors will dismiss lyric theatre as an impossible hybrid. Literature and music undermine one another when brought together, they maintain. Their contempt for the genre is more often than not motivated by the supposedly mediocre quality of the librettos or scripts to which the works are set as well as the implausibility of characters singing instead of speaking their emotions. But what if these much maligned scripts provided composers with the raw material necessary to convert stereotypes into exemplary figures and place them in powerfully dramatic situations? What if the unreality of opera opened up gripping vistas onto the reality of human emotions? When Literature Becomes Opera strives to answer these questions by analyzing the artistic process through which literary texts are simplified then transformed into lyric dramas. Using as examples eight outstanding operas inspired by works of French writers ( Rigoletto, La traviata, Carmen, Thaïs, La Bohème, Tosca, Pelléas et Mélisande and Dialogues des Carmélites ), this study demonstrates that a libretto, like a film script, enters into a partnership with the art it serves: music. When the quality of the partnership is high, all of opera's liabilities that purists take pleasure in deriding become stunning assets.
546 ## - LANGUAGE NOTE
Language note English
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
General subdivision Philosophy and aesthetics.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Operas
General subdivision Film adaptations
-- History and criticism.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title When Literature Becomes Opera : Study of a Transformational Process.
Place, publisher, and date of publication Leiden ; Boston : Brill, 1999.
International Standard Book Number 9789042006942
Record control number (OCoLC)41633860
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Chiasma ;
Volume/sequential designation 8.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Literature and Cultural Studies - Book Archive pre-2000.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004647664">http://dx.doi.org/10.1163/9789004647664</a>

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