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Writing and filming the painting : (Record no. 47260)

MARC details
000 -LEADER
fixed length control field 04625cam a2200625Ii 4500
001 - CONTROL NUMBER
control field BRILL9789401206273
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105752.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 090206s2008 ne a sbq 000 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789401206273
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789042024571
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789401206273
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)302001509
Canceled/invalid control number (OCoLC)649903304
-- (OCoLC)714567280
-- (OCoLC)764536134
-- (OCoLC)843178836
-- (OCoLC)961537942
-- (OCoLC)962606230
-- (OCoLC)966254164
-- (OCoLC)974572685
-- (OCoLC)974616127
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN56.E45
Item number E43 2008eb
072 #7 - SUBJECT CATEGORY CODE
Subject category code TRV
Subject category code subdivision 026090
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT
Subject category code subdivision 000000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code DSB
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 809/.93357
Edition information 22
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Eidt, Laura M. Sager.
245 10 - TITLE STATEMENT
Title Writing and filming the painting :
Remainder of title ekphrasis in liturature and film /
Statement of responsibility, etc. Laura M. Sager Eidt.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Amsterdam ;
-- New York :
Name of producer, publisher, distributor, manufacturer Rodopi.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2008.
300 ## - online resource
Extent 1 online resource (243 pages) :
Other physical details illustrations (some color)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
Volume/sequential designation 117
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. 221-234) and Filmography (p. 235).
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Preliminary Material -- Toward a Definition of Ekphrasis in Literature and Film -- Methodology -- Goya’s Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist’s Battle with his Creatures -- Goya’s Sleep of Reason in Lion Feuchtwanger’s Novel and Konrad Wolf’s Film Adaptation: Private or Social Demons? -- From Screenplay to Film: Rembrandt’s Self-Portraits and Social Identity Construction through Ekphrasis -- Vermeer’s Women in Film and Fiction: Ekphrasis and Gendered Structures of Vision -- Conclusion: The Cerebral and the Affective Function of Ekphrasis -- Works Cited -- Filmography -- List of Illustrations/Image Credits.
506 ## - RESTRICTIONS ON ACCESS NOTE
Terms governing access Available to subscribing member institutions only.
520 ## - SUMMARY, ETC.
Summary, etc. This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Goya, Francisco,
Dates associated with a name 1746-1828
General subdivision Criticism and interpretation.
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Rembrandt Harmenszoon van Rijn,
Dates associated with a name 1606-1669
General subdivision Criticism and interpretation.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Vermeer, Johannes,
Dates associated with a name 1632-1675
General subdivision Criticism and interpretation.
600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Goya, Francisco,
Dates associated with a name 1746-1828.
Source of heading or term fast
600 07 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Rembrandt Harmenszoon van Rijn,
Dates associated with a name 1606-1669.
Source of heading or term fast
600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Vermeer, Johannes,
Dates associated with a name 1632-1675.
Source of heading or term fast
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Ekphrasis.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art in literature.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art in motion pictures.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting and motion pictures.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art in literature.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art in motion pictures.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Ekphrasis.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting and motion pictures.
Source of heading or term fast
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Criticism, interpretation, etc.
Source of term fast
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Eidt, Laura M. Sager.
Title Writing and filming the painting.
Place, publisher, and date of publication Amsterdam ; New York : Rodopi, ©2008
International Standard Book Number 9042024577
-- 9789042024571
Record control number (OCoLC)262509385
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
Volume/sequential designation 117.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Literature and Cultural Studies E-Books Online, Collection 2008, ISBN: 9789004357952.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789401206273">http://dx.doi.org/10.1163/9789401206273</a>

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