Refracting the canon in contemporary British literature and film / (Record no. 45297)
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| 001 - CONTROL NUMBER | |
| control field | BRILL9789401208307 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610105717.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 080118s2004 ne sb 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2012288344 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789401208307 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042010505 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789401208307 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)55682739 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PR57 |
| Item number | .R44 2004 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PN |
| Source | lcco |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PR |
| Source | lcco |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | JFC |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC022000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 820.9 |
| Edition information | 23 |
| 245 00 - TITLE STATEMENT | |
| Title | Refracting the canon in contemporary British literature and film / |
| Statement of responsibility, etc. | edited by Susana Onega and Christian Gutleben. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam ; |
| -- | New York : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2004. |
| 300 ## - online resource | |
| Extent | 1 online resource (261 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Postmodern studies ; |
| Volume/sequential designation | 35 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material / |
| Statement of responsibility | Susana Onega and Christian Gutleben -- |
| Title | Introduction / |
| Statement of responsibility | Christian Gutleben and Susana Onega -- |
| Title | Clock-ridden Births: Creative Bastardy in Sterne’s Tristram Shandy and Rushdie’s Midnight’s Children / |
| Statement of responsibility | Catherine Pesso-Miquel -- |
| Title | Double Refraction: Rewriting the Canon in Contemporary Scottish Literature / |
| Statement of responsibility | Dietmar Boehnke -- |
| Title | Genre and Islam in Recent Anglophone Romantic Fiction / |
| Statement of responsibility | John A. Stotesbury -- |
| Title | “Dr Jekyll and Mr Jackass”: Fight Club as a Refraction of Hogg’s Justified Sinner and Stevenson’s Dr Jekyll and Mr Hyde / |
| Statement of responsibility | Kirsten Stirling -- |
| Title | Return to Austen: Film Heroines of the Nineties / |
| Statement of responsibility | Celestino Deleyto Alcalá -- |
| Title | Dickens and Post-Victorian Fiction / |
| Statement of responsibility | Georges Letissier -- |
| Title | Parody as Revisionary Critique: Charles Palliser’s The Quincunx / |
| Statement of responsibility | J. Hillis Miller -- |
| Title | Refracting the Past in Praise of the Dead Poets in Possession: A Romance / |
| Statement of responsibility | Margarida Esteves Pereira -- |
| Title | Hearts Object: Jeanette Winterson and the Ethics of Absolutist Romance / |
| Statement of responsibility | Jean-Michel Ganteau -- |
| Title | Between Othello and Equiano: Caryl Phillips’ Subversive Rewritings / |
| Statement of responsibility | Fernando Galván -- |
| Title | Challenging Shakespeare: Strategies of Writing Back in Zadie Smith’s White Teeth and Caryl Phillips’ The Nature of Blood / |
| Statement of responsibility | Petra Tournay -- |
| Title | To Hamlet and back with Humble Boy by Charlotte Jones (2001) / |
| Statement of responsibility | Nicole Boireau -- |
| Title | Notes on Contributors / |
| Statement of responsibility | Susana Onega and Christian Gutleben -- |
| Title | Index / |
| Statement of responsibility | Susana Onega and Christian Gutleben. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Contemporary works of art that remodel the canon not only create complex, hybrid and plural products but also alter our perceptions and understanding of their source texts. This is the dual process, referred to in this volume as “refraction”, that the essays collected here set out to discuss and analyse by focusing on the dialectic rapport between postmodernism and the canon. What is sought in many of the essays is a redefinition of postmodernist art and a re-examination of the canon in the light of contemporary epistemology. Given this dual process, this volume will be of value both to everyone interested in contemporary art—particularly fiction, drama and film—and also to readers whose aim it is to promote a better appreciation of canonical British literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | English literature |
| General subdivision | History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures |
| General subdivision | History |
| -- | Theory, etc. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | English literature. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures. |
| Source of heading or term | fast |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Criticism, interpretation, etc. |
| Source of term | fast |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | History. |
| Source of term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Onega Jaén, Susana. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Gutleben, Christian. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Online version: |
| Title | Refracting the canon in contemporary British literature and film. |
| Place, publisher, and date of publication | Amsterdam ; New York : Rodopi, 2004 |
| Record control number | (OCoLC)645913940 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Postmodern Studies |
| Volume/sequential designation | 35. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789401208307">http://dx.doi.org/10.1163/9789401208307</a> |
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