GHU Logo
The Great Heights University Library
Academic discovery, digital access, and research support

Transformations of time and temporality in Medieval and Renaissance art / (Record no. 43923)

MARC details
000 -LEADER
fixed length control field 03543nam a2200469 i 4500
001 - CONTROL NUMBER
control field BRILL9789004267862
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105654.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 131223s2014 mau b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2013050611
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004267862
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789004267855
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789004267862
Source of number or code DOI
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
042 ## - AUTHENTICATION CODE
Authentication code pcc
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e------
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N8253.T5
Item number C64 2014
072 #7 - SUBJECT CATEGORY CODE
Subject category code HIS010000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 701/.08
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Cohen, Simona.
245 10 - TITLE STATEMENT
Title Transformations of time and temporality in Medieval and Renaissance art /
Statement of responsibility, etc. by Simona Cohen.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Boston :
Name of producer, publisher, distributor, manufacturer Brill,
Date of production, publication, distribution, manufacture, or copyright notice 2014.
300 ## - online resource
Extent 1 online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 0# - SERIES STATEMENT
Series statement Brill's studies in intellectual history
-- Brill's Studies on Art, Art History, and Intellectual History ; Volume 6 ;
Volume/sequential designation v. 228
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Preliminary Material -- Color Plates -- Introduction -- 1. Concepts of Time in Classical Philosophy -- 2. Classical Personifications of Time -- 3. Early Christian and Medieval Concepts of Time -- 4. Time and Temporality in Medieval Art -- 5. The Romanesque Zodiac: Its Symbolic Function on the Church Facade -- 6. The Renaissance Personification of Time in Illustrations to Petrarch’s Trionfo del Tempo -- 7. Time, Virtuousness and Wisdom in Giorgione’s Castelfranco Fresco -- 8. Kairos/Occasio—Vicissitudes of Propitious Time from Antiquity to the Renaissance -- 9. Veritas filia temporis: Time in Cinquecento Propaganda -- Epilogue -- Appendix I: Catalogue of Illuminated Manuscripts of Petrarch’s Trionfi Located in European and American Collections -- Select Bibliography -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Time in art.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Time
General subdivision Social aspects
-- History.
Geographic subdivision Europe
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Time perception
Geographic subdivision Europe
General subdivision History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Medieval
General subdivision Themes, motives.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Renaissance
General subdivision Themes, motives.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Transformations of Time and Temporality in Medieval and Renaissance Art
Place, publisher, and date of publication Leiden, Boston : BRILL, 2014,
International Standard Book Number 9789004267855
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Brill's Studies in Intellectual History
Volume/sequential designation 228/6.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Brill's Studies in Intellectual History Online, Supplement 2014, ISBN: 9789004257207.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004267862">http://dx.doi.org/10.1163/9789004267862</a>

No items available.