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Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700 / (Record no. 43255)

MARC details
000 -LEADER
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001 - CONTROL NUMBER
control field BRILL9789004694613
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105642.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 241129s2025 gw sb 001 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2024036257
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004694613
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789004694606
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789004694613
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
Canceled/invalid control number (OCoLC)2209
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN56.E6
072 #7 - SUBJECT CATEGORY CODE
Subject category code DS
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT
Subject category code subdivision 000000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 700/.453
Edition information 23
245 00 - TITLE STATEMENT
Title Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700 /
Statement of responsibility, etc. edited by Karl A.E. Enenkel and Walter S. Melion.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Leiden ;
-- Boston :
Name of producer, publisher, distributor, manufacturer Brill,
Date of production, publication, distribution, manufacture, or copyright notice 2025.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2025
300 ## - online resource
Extent 1 online resource (728 pages) :
Other physical details illustrations.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Early Modern History and Modern History E-Books Online, Collection 2024
490 1# - SERIES STATEMENT
Series statement Intersections ;
Volume/sequential designation 90
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Title Front Matter -- Preliminary Material /
Statement of responsibility Walter S. Melion -- Part 1 Portraying Mixed Emotions in the Literary Arts -- Section A Mixed Emotions in Dutch and Latin Drama -- Chapter 2 All Motion Discovers Us: Moral Discernment and the Role of the Passions in Willem van Nieulandt’s Nero (1618) /
-- Bart Ramakers -- Chapter 3 Staging the In-Between: Compound, Conflicting and Shifting Emotions in Seventeenth-Century Neo-Latin Drama from the Dutch Republic /
-- Lukas Reddemann -- Section B Mixed Emotions in Neo-Latin and French Poetry -- Chapter 4 Between Fleeting and Compound Emotions in Neo-Latin Lyric Poetry on ‘Turks’: Georgius Sisgoreus’ Elegia de Sibenicensis agri vastatione /
-- Ludovica Sasso -- Chapter 5 Shifting Emotions in Neo-Latin Psalm Poetry and Erotic Elegy: George Buchanan and Janus Lernutius /
-- Carolin A. Giere -- Chapter 6 On Red and White Cheeks: Jakob Balde’s Poetic Ekphrases on a Triptych by Christoph Schwarz in the Light of the Scholastic Theory of the Passions /
-- Aline Smeesters -- Chapter 7 Mixed Motives: the Art of Joachim Du Bellay, 1549–1558 /
-- Tom Conley -- Section C Mixed Emotions in Prose Literature -- Chapter 8 Tears of Love and Sorrow: the Affective Regime of the European Pastoral Tradition /
-- Anita Traninger -- Chapter 9 ‘How We Weep and Laugh at the Same Thing’: Conflicting Emotions in Rabelais and Montaigne /
-- Paul J. Smith -- Chapter 10 The Troubles of Christian Perfection: Berinzaga, Gagliardi, Borromeo /
-- Wietse de Boer -- Part 2 Portraying Mixed Emotions in the Visual Arts -- Section A Mixed Emotions in Image-based Spiritual Exercises -- Chapter 11 O vos omnes : Recognition, Tragic Emotion, and the Passerby Topos in Northern European Art around 1500 /
-- Mitchell Merback -- Chapter 12 Mixed Emotion and Spiritual Perfection in Abraham Bloemaert’s Sylva anachoretica of 1619 /
-- Walter S. Melion -- Chapter 13 Spiritual Joy in the Face of Death: Compound Emotions in Texts and Images of the Martyrs of the Japan Mission /
-- Raphaèle Preisinger -- Chapter 14 Materialities of Mixed Emotions and Spiritual Martyrdom between the Grand Duchy of Lithuania and Grand Duchy of Tuscany /
-- Ruth Sargent Noyes -- Section B Heuristic and Sanative Images of Mixed Emotions -- Chapter 15 Francisci chorda traxit ad se plurima corda : ‘Drawing’ the Heart’s Emotions in Jan Provoost’s Diptych of Christ Carrying the Cross /
-- Elliott D. Wise -- Chapter 16 ‘Symbolic Anatomies’: Hendrick Goltzius and the Ambiguities of Early Modern Disability /
-- Barbara A. Kaminska -- Chapter 17 Exploring Complex Emotions through the Portrayal of Dialogic Exchange: Pieter Lastman’s Paul and Barnabas in Lystra of 1617 /
-- Graham R. Lea -- Chapter 18 Between Despair and Hope: Raising Emotions with Dutch Seventeenth-Century Marine Paintings and Prints /
-- Stijn Bussels and Bram Van Oostveldt -- Back Matter -- Index Nominum.
520 ## - SUMMARY, ETC.
Summary, etc. This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
546 ## - LANGUAGE NOTE
Language note English
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Emotions in literature.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element European literature
Chronological subdivision Renaissance, 1450-1600
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting, European
Chronological subdivision 16th century.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Enenkel, Karl A.E.,
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Melion, Walter S.,
Relator term editor.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700.
Place, publisher, and date of publication Leiden ; Boston : Brill, 2025.
International Standard Book Number 9789004694606
Record control number (DLC) 2024036256
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Early Modern History and Modern History E-Books Online, Collection 2024.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Intersections ;
Volume/sequential designation 90.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004694613">http://dx.doi.org/10.1163/9789004694613</a>

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