Quentin Tarantino : (Record no. 43214)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03287cam a22004574i 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9783846760697 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610105642.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 191130s2016 ne sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9783846760697 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9783770560691 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.30965/9783846760697 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)63521095 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1998.3.T358 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | APFB |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PER |
| Subject category code subdivision | 018000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | BIO |
| Subject category code subdivision | 005000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4302 |
| Edition information | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kaul, Susanne, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Quentin Tarantino : |
| Remainder of title | a Einführung in seine Filme und Filmästhetik / |
| Statement of responsibility, etc. | Susanne Kaul; Jean-Pierre Palmier. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Paderborn : |
| Name of producer, publisher, distributor, manufacturer | Wilhelm Fink Verlag, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 300 ## - online resource | |
| Extent | 1 online resource |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | directed by |
| 490 1# - SERIES STATEMENT | |
| Series statement | Schöningh and Fink Literature and Culture Studies E-Books, Collection 2013-2017, ISBN: 9783657100064 |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Preliminary Material -- Einleitung -- Tarantinos Filmästhetik -- Drehbücher und sonstige Projekte -- Reservoir Dogs (1992) -- Pulp Fiction (1994) -- Jackie Brown (1997) -- Kill Bill: Vol. 1 (2003) -- Kill Bill: Vol. 2 (2004) -- Death Proof (2007) -- Inglourious Basterds (2009) -- Django Unchained (2012) -- The Hateful Eight (2015) -- Anmerkungen -- Bibliografie -- Filmografie. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Sind Tarantinos Filme bloß Zitatcollagen oder besitzen sie eine eigene, charakteristische Ästhetik? Tarantino ist bekannt dafür, Filmstellen und Filmgenres in seinen Filmen zu zitieren. Seine spezielle Komik besteht darin, Genremuster zu bedienen und der Handlung dann eine unerwartete Wendung zu geben. Alltäglichen und scherzhaften Dialogen lässt er dabei viel Raum. Dieses Buch erklärt Tarantinos Filmästhetik und stellt sich auch der Frage nach der Ästhetisierung von Gewalt. Analysiert werden Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1 und Vol. 2, Death Proof, Inglourious Basterds, Django Unchained und The Hateful Eight. Darüber hinaus werden auch Filme in den Blick genommen, bei denen Tarantino am Drehbuch oder an der Regie beteiligt war wie True Romance, Natural Born Killers, From Dusk till Dawn oder Sin City. Die Interpretationen liefern Informationen zu den Produktions- und Rezeptionshintergründen der Filme sowie eingehende Analysen der Handlung (einschließlich der wesentlichen Referenzen auf Vorläuferfilme) und der audiovisuellen Gestaltung. Jedes Film-Kapitel wird zudem mit einer detaillierten Szenenanalyse abgeschlossen. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion picture producers and directors. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures, American. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Palmier, Jean-Pierre, |
| Relator term | author. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Quentin Tarantino: Einführung in seine Filme und Filmästhetik, |
| Place, publisher, and date of publication | Paderborn : Wilhelm Fink Verlag, 2016 |
| Record control number | 9783770560691 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | directed by. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Schöningh and Fink Literature and Culture Studies E-Books, Collection 2013-2017, ISBN: 9783657100064. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.30965/9783846760697">http://dx.doi.org/10.30965/9783846760697</a> |
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