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Mosaic of juxtaposition : (Record no. 41064)

MARC details
000 -LEADER
fixed length control field 03410cam a2200505Ii 4500
001 - CONTROL NUMBER
control field BRILL9789401210911
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105605.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 140510s2014 ne sb 001 0deng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789401210911
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789042038486
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789401210911
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)880552043
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PS3552.U75
Item number Z574 2014
072 #7 - SUBJECT CATEGORY CODE
Subject category code PS
Source lcco
072 #7 - SUBJECT CATEGORY CODE
Subject category code DSBH
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT000000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 813/.54
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bolton, Micheal Sean.
245 10 - TITLE STATEMENT
Title Mosaic of juxtaposition :
Remainder of title William S. Burroughs' narrative revolution /
Statement of responsibility, etc. Micheal Sean Bolton.
246 30 - VARYING FORM OF TITLE
Title proper/short title William S. Burroughs' narrative revolution
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Amsterdam ;
-- New York, NY :
Name of producer, publisher, distributor, manufacturer Editions Rodopi.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice c2014.
300 ## - online resource
Extent 1 online resource (199 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Postmodern studies ;
Volume/sequential designation 51
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. 183-191) and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Preliminary Material -- ACKNOWLEDGEMENTS -- ON THE ASSOCIATION LINE: A NARRATIVE REVOLUTION -- WORD VIRUS, PHARMAKON, AND BURROUGHS’ METHOD -- GET OFF THE POINT: DECONSTRUCTING CONTEXT -- THE MARK INSIDE: DECENTRALIZING THE NARRATIVE SUBJECTIVITY -- CROSS THE WOUNDED GALAXIES: IMPLICATIONS AND INFLUENCES OF BURROUGHS’ NARRATIVE EXPERIMENTS -- A SINGULARITY -- BIBLIOGRAPH -- INDEX -- Appeared earlier in the POSTMODERN STUDIES series.
506 ## - RESTRICTIONS ON ACCESS NOTE
Terms governing access Available to subscribing member institutions only.
520 ## - SUMMARY, ETC.
Summary, etc. William S. Burroughs’ experimental narratives, from the 1959 publication of Naked Lunch through the late trilogy of the 1980s, have provided readers with intriguing challenges and, for some, disheartening frustrations. Yet, these novels continue to generate new interest and inspire new insights among an increasing and evolving readership. This book addresses the unique characteristics of Burroughs’ narrative style in order to discover strategies for engaging and navigating these demanding novels. Bolton advises, “Burroughs’ subversive themes and randomizing techniques do not amount to unmitigated attacks on conventions, as many critics suggest, but constitute part of a careful strategy for effecting transformations in his readers”. Utilizing various poststructuralist theories, as well as recent theories in electronic literature and posthumanism, Mosaic of Juxtaposition examines the various strategies that Burroughs employs to challenge assumptions about textual interpretation and to redefine the relationship between reader and text.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Burroughs, William S.,
Dates associated with a name 1914-1997
General subdivision Criticism and interpretation.
600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Burroughs, William S.,
Dates associated with a name 1914-1997.
Source of heading or term fast
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Narration (Rhetoric)
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Narration (Rhetoric)
Source of heading or term fast
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Criticism, interpretation, etc.
Source of term fast
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Mosaic of Juxtaposition: William S. Burroughs’ Narrative Revolution
Place, publisher, and date of publication Leiden, Boston : Brill | Rodopi, 2014,
International Standard Book Number 9789042038486
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Postmodern Studies
Volume/sequential designation 51.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Literature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789401210911">http://dx.doi.org/10.1163/9789401210911</a>

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