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Art and Emancipation / (Record no. 41026)

MARC details
000 -LEADER
fixed length control field 05243nam a22004818i 4500
001 - CONTROL NUMBER
control field BRILL9789004686878
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105605.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 231123s2024 gw sb 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004686878
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789004686861
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 110.1163/9789004686878
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
Canceled/invalid control number (OCoLC)1395426139
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N7445.2
072 #7 - SUBJECT CATEGORY CODE
Subject category code JPFC
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code POL
Subject category code subdivision 005000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 701/.03
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Roberts, John,
Relator term author.
245 10 - TITLE STATEMENT
Title Art and Emancipation /
Statement of responsibility, etc. John Roberts.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Leiden ;
-- Boston :
Name of producer, publisher, distributor, manufacturer Brill,
Date of production, publication, distribution, manufacture, or copyright notice 2024.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2024
300 ## - online resource
Extent 1 online resource (540 pages) :
Other physical details illustrations.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Historical Materialism Book Series ;
Volume/sequential designation 301
490 1# - SERIES STATEMENT
Series statement Social Sciences E-Books Online, Collection 2024
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Title Front Matter -- Preliminary Material /
Statement of responsibility John Roberts -- Copyright Page /
-- John Roberts -- Preface /
-- John Roberts -- Acknowledgements /
-- John Roberts -- Introduction Emancipatory Technique, the Avant-Garde and ‘Alter-Realism’ /
-- Kim Charnley -- Part 1 Value -- Chapter 1 Labour, Emancipation and the Critique of Craft-Skill /
-- John Roberts -- Chapter 2 Art After Deskilling /
-- John Roberts -- Chapter 3 The ‘Incomplete’ Commodity: Art, Value and Value-Form Theory /
-- John Roberts -- Chapter 4 After the Crisis of Value: Some Further Reflections on Skill, Deskilling and Art /
-- John Roberts -- Chapter 5 Notes on Craft: Marcel Duchamp, Bernard Leach and the Vessel Tradition /
-- John Roberts -- Part 2 Technique -- Chapter 6 The Amateur’s Retort /
-- John Roberts -- Chapter 7 The Practice of Failure /
-- John Roberts -- Chapter 8 Trickster: Performativity and Critique in Rod Dickinson’s Crop-Circles /
-- John Roberts -- Chapter 9 Roy Bhaskar, Critical Realism and Cultural Theory /
-- John Roberts -- Chapter 10 The Antinomies of Iconoclasm /
-- John Roberts -- Chapter 11 Writerly Artists: Conceptual Art, Bildung and the Intellectual Division of Labour /
-- John Roberts -- Chapter 12 The ‘Black Debt’: Art & Language’s Writing /
-- John Roberts -- Part 3 Praxis -- Chapter 13 Productivism and Its Contradictions /
-- John Roberts -- Chapter 14 After Moscow Conceptualism: Reflections on the Centre and Periphery and Cultural Belatedness /
-- John Roberts -- Chapter 15 Art After Art in the Expanded Field /
-- John Roberts -- Chapter 16 Art, Neoliberalism and the Fate of the Commons /
-- John Roberts -- Chapter 17 Art, ‘Enclave Theory’ and the Communist Imaginary /
-- John Roberts -- Chapter 18 Postconceptualism and Anti-Pathos /
-- John Roberts -- Chapter 19 Race, Black Modernism and the Critique of Identity /
-- John Roberts -- Part 4 Image -- Chapter 20 The Political Economy of the Image /
-- John Roberts -- Chapter 21 Realism, Alter-Realism and the Question of Legibility /
-- John Roberts -- Chapter 22 Ideation and Photography: a Critique of François Laruelle’s Concept of Abstraction /
-- John Roberts -- Chapter 23 Philosophy, Culture, Image: Jacques Rancière’s Constructivism /
-- John Roberts -- Chapter 24 Some Reflections on the Image and the Early Avant-Garde: Victor Shklovsky, Error and The End of Saint Petersburg /
-- John Roberts -- Chapter 25 After Lefebvre: The Everyday, the Image and Cultural Theory /
-- John Roberts -- Chapter 26 Tár , Tarr , and Tarr, and Other Sticky Things. /
-- John Roberts -- Part 5 History -- Chapter 27 Memories, History, Mnemotechnics /
-- John Roberts -- Chapter 28 Dialectic and Post-Hegelian Dialectic (Again): Žižek, Bhaskar, Badiou /
-- John Roberts -- Chapter 29 On Error: Hegel and Spinoza /
-- John Roberts -- Chapter 30 Art and the Politics of Time-as-Substance /
-- John Roberts -- Chapter 31 ‘The Newest in What Is Oldest’: History, Historicism and the Temporality of the Avant-Garde /
-- John Roberts -- Back Matter -- Bibliography /
-- John Roberts -- Index /
-- John Roberts.
520 ## - SUMMARY, ETC.
Summary, etc. Across a powerfully wide-ranging set of themes, theoretical registers and historical examples, John Roberts analyses the key problems that continue to confront art after conceptual art, in the light of art’s longstanding relationship to market and institution the commodity and mass culture: namely, artistic labour and technology, modernity and the ‘new’, art and negation, identity and subjectivity, agency and audience, form and value. In these terms, the book provides a rigorous and ambitious, examination of the limits and possibilities of art’s contribution to emancipatory discourse and practice.
546 ## - LANGUAGE NOTE
Language note English
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Capitalism.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Art and Emancipation.
Place, publisher, and date of publication Leiden ; Boston : Brill, 2024.
International Standard Book Number 9789004686861
Record control number (DLC) 2023039214
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Historical Materialism Book Series ;
Volume/sequential designation 301.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Social Sciences E-Books Online, Collection 2024.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004686878">http://dx.doi.org/10.1163/9789004686878</a>

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