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Archeology of Art Theory / (Record no. 34662)

MARC details
000 -LEADER
fixed length control field 02991nam a22004938i 4500
001 - CONTROL NUMBER
control field BRILL9789004664760
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105414.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 231017s1995 gw sb 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004664760
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789051837889
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789004664760
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
Canceled/invalid control number (OCoLC)33936197
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N380
072 #7 - SUBJECT CATEGORY CODE
Subject category code ABA
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code ART
Subject category code subdivision 009000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code PHI
Subject category code subdivision 001000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 701.1
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Slager, Henk,
Relator term author.
245 10 - TITLE STATEMENT
Title Archeology of Art Theory /
Statement of responsibility, etc. Henk Slager.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Leiden ;
-- Boston :
Name of producer, publisher, distributor, manufacturer Brill,
Date of production, publication, distribution, manufacture, or copyright notice 1995.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©1995
300 ## - online resource
Extent 1 online resource (196 pages) :
Other physical details illustrations.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Lier & Boog ;
Volume/sequential designation 5
490 1# - SERIES STATEMENT
Series statement Religious Studies, Theology and Philosophy - Book Archive pre-2000
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Title Preliminary Material /
Statement of responsibility Henk Slager -- Prolegomena /
-- Henk Slager -- Similitude and Interpretation /
-- Henk Slager -- Identity and Criticism /
-- Henk Slager -- Subject and History /
-- Henk Slager -- Difference and Structure /
-- Henk Slager -- Notes /
-- Henk Slager -- Selected Bibliography /
-- Henk Slager.
520 ## - SUMMARY, ETC.
Summary, etc. This study is an archeological investigation into the historically changing relationship between words and images. The result is an encyclopedia of interpretative techniques in which language functions as a model of thought. Three periods come to the fore. In the classical one, grammatical structures are responsible for the dominance of describing and identifying activities. Thought about art departs from the idea, that classificatory systems (words) represent images. Art criticism is the form of interpretation in this period. In the modern period time moves to the foreground. Now attention is focused on changes in grammatical forms instead of changes in constant structures. A hermeneutic form of interpretation comes into being: Art History . In the postmodern period one realizes that words fail to establish a consistent relationship with visuality. New, semiological theories of interpretation now explain what images can signify. This volume is of interest for philosophers of art and art theoreticians, as well as for students and professionals in both fields.
546 ## - LANGUAGE NOTE
Language note English
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art history.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art
General subdivision Historiography.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Archeology of Art Theory.
Place, publisher, and date of publication Leiden ; Boston : Brill, 1995.
International Standard Book Number 9789051837889
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Lier & Boog ;
Volume/sequential designation 5.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Religious Studies, Theology and Philosophy - Book Archive pre-2000.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004664760">http://dx.doi.org/10.1163/9789004664760</a>

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