With Open Eyes : (Record no. 29407)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 06286nam a22005178i 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789004656161 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610105245.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240309s1997 gw sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004656161 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042001541 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789004656161 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1417298052 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | DT1 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | JFC |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC |
| Subject category code subdivision | 022000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC |
| Subject category code subdivision | 026000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.43096 |
| Edition information | 23 |
| 245 10 - TITLE STATEMENT | |
| Title | With Open Eyes : |
| Remainder of title | Women and African Cinema / |
| Statement of responsibility, etc. | edited by Kenneth W. Harrow. |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | Women and African Cinema |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Leiden ; |
| -- | Boston : |
| Name of producer, publisher, distributor, manufacturer | Brill, |
| Date of production, publication, distribution, manufacture, or copyright notice | 1997. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©1997 |
| 300 ## - online resource | |
| Extent | 1 online resource (276 pages) : |
| Other physical details | illustrations. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Literature and Cultural Studies - Book Archive pre-2000 |
| 490 1# - SERIES STATEMENT | |
| Series statement | Matatu ; |
| Volume/sequential designation | 19 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material / |
| Statement of responsibility | Editor: Kenneth W. Harrow -- Introduction / |
| -- | Editor: Kenneth W. Harrow -- A Problematic Sign of African Difference in Trinh T. Minh-ha’s Reassemblage / |
| -- | Stephen A. Zacks -- The Mature and Older Women of African Film / |
| -- | Suzanne H. MacRae -- The Female Body as Symbol of Change and Dichotomy: Conflicting Paradigms in the Representation of Women in African Film / |
| -- | Beti Ellerson -- Three Poems from The Cows of Shambat / |
| -- | Taban Lo Liyong -- The Locus of Tension: Gender in Algerian Cinema / |
| -- | Ratiba Hadj-Moussa -- Women in Igbo-Language Videos: The Virtuous and the Villainous / |
| -- | J.O.J. Nwachukwu-Agbada -- Interview with Anne Mungai / |
| -- | Frances Harding -- Nouveau regard, nouvelle parole: le cinéma d’Assia Djebar / |
| -- | Mildred Mortimer -- Visages de Femmes: Finzan et Les Soleils des Indépendances / |
| -- | Madeleine Borgomano -- The Unreal But Visible Line: Difference and Desire for the Other in Chocolat / |
| -- | William A. Vincent -- Women with Open Eyes, Women of Stone and Hammers: Western Feminism and African Feminist Filmmaking Practice / |
| -- | Kenneth W. Harrow -- Interview with Med Hondo / |
| -- | Françoise Pfaff -- Three Poems from Poèmes de la Mer /Poems of the Sea / |
| -- | J.B. Tati-Loutard -- Sub-Saharan African Women Filmmakers: Agendas for Research with a Filmography / |
| -- | Nancy J. Schmidt -- Women in African Cinema: An Annotated Bibliography / |
| -- | Emilie Ngo-Nguidjol -- In memoriam / |
| -- | James Currey -- Interview with Amryl Johnson (with an appendix on her publications) / |
| -- | Jana Gohrisch -- Nadine Gordimer: Writing and Being . (The Charles Eliot Norton Lectures, 1994.1 (Cambridge, Mass.; London: Harvard University Press, 1995). 145 pages. US |
| -- | 18.95. ISBN 0-67496232-X / |
| Statement of responsibility | Kenneth W. Harrow -- African Literature Today 20: New Trends and Generations in African Literature , eds. Eldred Durosimi Jones and Marjorie Jones. (London: James Currey; Trenton, New Jersey: Africa World Press, 1996). vi + 186pp, incl. index. £ 9.95 ISBN 0-85255-520-2 / |
| -- | Kenneth W. Harrow -- Mineke Schipper: Source of All Evil: African Proverbs and Sayings on Women . (Nairobi: Phoenix Publishers, 1991.) 97 pages. Price n.a. / |
| -- | Kenneth W. Harrow -- Manfred F. Prinz: Die kulturtragenden lnstitutionen Senegals. Zwischen kolonialem Erbe und Unabhlingigkeit . [Sozialwissenschaftliche Studien zu internationalen Problemen / Social Science Studies on International Problems; 172]. (SaarbrUcken, Fort Lauderdale: Breitenbach, 1993). 232 pages. / |
| -- | Kenneth W. Harrow -- David Kerr: African Popular Theatrefrom Pre-colonial Times to the Present Day . (Studies in African Literature. New Series] (London: James Currey; Portsmouth, NH: Heinemann; Nairobi:.East African Educational Publishers; Harare: Baobab; Cape Town: David Philip, 1995), x + 278 pages. £ 11.95. / |
| -- | Kenneth W. Harrow -- Jana Gohrisch. (Un)Belonging? Geschlecht, Klasse, Rasse und Ethnizitlit in der britischen Gegenwartsliteratur: Joan Rileys Romane . [Europaische HochschulschriftenlEuropean University Studies, 14; 276). (FrankfurtIMain: Peter Lang, 1994). 250 pages. DM 74.00. / |
| -- | Kenneth W. Harrow -- Author’s Addresses / |
| -- | Editor: Kenneth W. Harrow. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Matatu is a journal on African literatures and societies dedicated to interdisciplinary dialogue between literary and cultural studies, historiography, the social sciences and cultural anthropology. Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of "cultural authenticity" and "national liberation" towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on "Western" (these days usually Japanese) technology, it is a vigorously African institution; it is usually regarded with some anxiety by those travelling in it, but is often enough the only means of transport available; it creates temporary communicative communities and provides a transient site for the exchange of news, storytelling, and political debate. Matatu is firmly committed to supporting democratic change in Africa, to providing a forum for interchanges between African and European critical debates, to overcoming notions of absolute cultural, ethnic, or religious alterity, and to promoting transnational discussion on the future of African societies in a wider world. Matatu will be published as journal as of 2016. All back volumes are still available in print. |
| 546 ## - LANGUAGE NOTE | |
| Language note | English |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Feminism and motion pictures |
| Geographic subdivision | Africa. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures and women |
| Geographic subdivision | Africa. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Women in the motion picture industry |
| Geographic subdivision | Africa. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Harrow, Kenneth W., |
| Relator term | editor. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | With Open Eyes : Women and African Cinema. |
| Place, publisher, and date of publication | Leiden ; Boston : Brill, 1997. |
| International Standard Book Number | 9789042001541 |
| Record control number | (OCoLC)37123231 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Literature and Cultural Studies - Book Archive pre-2000. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Matatu ; |
| Volume/sequential designation | 19. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789004656161">http://dx.doi.org/10.1163/9789004656161</a> |
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