Time, memory, consciousness and the cinema experience : (Record no. 28164)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04268cam a2200505Ii 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789042026414 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610105224.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 090720s2009 ne sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789042026414 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042026407 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789042026414 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)432428679 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1995.9.A8 |
| Item number | B59 2009 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | GT |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | POL000000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 808.823 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Blassnigg, Martha. |
| 245 10 - TITLE STATEMENT | |
| Title | Time, memory, consciousness and the cinema experience : |
| Remainder of title | revisiting ideas on matter and spirit / |
| Statement of responsibility, etc. | Martha Blassnigg. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam ; |
| -- | New York, N.Y. : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2009. |
| 300 ## - online resource | |
| Extent | 1 online resource (254 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Consciousness, literature & the arts ; |
| Volume/sequential designation | 21 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (p. 205-242) and index. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Preliminary Material -- Introduction -- Wings of Time: an Associative Prelude -- Bergson’s Philosophy as Interdisciplinary Nexus with Catalytic Impact: Time, Memory, Consciousness and the Relation between ‘Spirit’ (l’Esprit) and ‘Matter’ (Matière) -- The Analysis and Synthesis of Movement in Relation to Time: Revisiting Étienne-Jules Marey’s Work in a Virtual Dialogue with the Philosophy of Henri Bergson -- The Subordination of Time to Movement: From the Eye-Brain Model to the Mind-Consciousness Correlate -- The ‘Image in Motion’ Beyond the ‘Cinematographical Tendency’ of the Intellect: Dynamism, Intuition and Consciousness in Warburg, Marey and Bergson -- Time, Memory, Consciousness: Resituating the ‘Spiritual’ Dimension in the Perceptual Processes of the Spectators -- Bibliography -- Index. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In this book cinema spectators are presented as ‘observing participants’, that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators’ active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif . To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburg’s intervention with the Mnemosyne Atlas . Bergson’s main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind — intellect and intuition — can help us understand the so-called ‘spiritual’ dimension of the emerging cinema from the perspective of the spectators’ cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion picture audiences. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Time in motion pictures. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Memory in motion pictures. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Consciousness. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Consciousness. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Memory in motion pictures. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion picture audiences. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Time in motion pictures. |
| Source of heading or term | fast |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit |
| Place, publisher, and date of publication | Leiden, Boston : Brill | Rodopi, 2009, |
| International Standard Book Number | 9789042026407 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Consciousness, Literature and the Arts |
| Volume/sequential designation | 21. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Literature and Cultural Studies E-Books Online, Collection 2009, ISBN: 9789004357945. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789042026414">http://dx.doi.org/10.1163/9789042026414</a> |
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