Literature and musical adaptation / (Record no. 22541)
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| fixed length control field | 04143cam a2200469Ii 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789004333994 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610105049.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 031020s2002 ne a sb 000 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2003502684 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004333994 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042008120 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789004333994 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)50780558 |
| Canceled/invalid control number | (OCoLC)228123539 |
| -- | (OCoLC)711049365 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML3849 |
| Item number | .L58 2002 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | ML |
| Source | lcco |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | JFC |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC022000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 780/.08 |
| Edition information | 22 |
| 245 00 - TITLE STATEMENT | |
| Title | Literature and musical adaptation / |
| Statement of responsibility, etc. | edited by Michael J. Meyer. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam ; |
| -- | New York : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2002. |
| 300 ## - online resource | |
| Extent | 1 online resource (221 pages) : |
| Other physical details | illustrations. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Rodopi perspectives on modern literature ; |
| Volume/sequential designation | 26 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Introduction / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | “‘A Song not Without Words’: Singing Billy Budd ” / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Music in The Great Gatsby and The Great Gatsby as Music / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Henry Purcell and Gerard Manley Hopkins: Two Explorations of Identity / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | “Something lies beyond the Scene [seen]” of Façade: Sitwell, Walton and Kristeva’s Semiotic / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | “Dann Sang er”: Das Marienleben from Rilke to Hindemith / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Pasternak and Tchaikovsky: Musical Echoes in Pasternak’s Blind Beauty / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | The Hidden Life: Benjamin Britten’s Homoerotic Reading of Henry James’s The Turn of the Screw / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Musical Interpretations of Modernist Literature / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | When Performance Ends: Musicians as Writers / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Celan’s “Todesfuge”: The Musical Dimension of a Verbal Composition / |
| Statement of responsibility | Michael J. Meyer. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | It can safely be said that when literary texts are utilized or adapted by a musician to create a new work of art, it is seldom that a diminished or lessened product results. Rather, such a merging usually enlarges and enhances both text and tune, perhaps significantly changing the message of the original. Discovering exactly what the new form has to offer and how it relates to the text or melody that preceded it is often a daunting task, requiring a close examination of both the author’s and the composer’s intent. The essays in this collection offer an analysis of several adaptations, some successful, some not so successful, and attempt to assess just what the musicians or writers have modified or changed from to the original as they re-form it into an altogether different media. Ranging from Pasternak’s appropriation of Tchaikovsky to Britten’s operatic versions of Billy Budd and the Turn of the Screw, from Celan’s use of fugal technique in his “Todesfuge” to the way that the musicianship of several women writers found voice in their writing, a broad spectrum of collaborations is examined. As readers examine an author’s respect for a long dead musician (Hopkins’ admiration of Purcell) or as they discover how John Harbison worked to transform Fitzgerald’s musicality in The Great Gatsby, it will be evident that musical adaptations often provide a richness that the originals did not possess and that the potential for greatness is heightened when the arts intersect. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music and literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Libretto. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Libretto. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music and literature. |
| Source of heading or term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Meyer, Michael J., |
| Dates associated with a name | 1943- |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Online version: |
| Title | Literature and musical adaptation. |
| Place, publisher, and date of publication | Amsterdam ; New York : Rodopi, 2002 |
| Record control number | (OCoLC)605646481 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Rodopi Perspectives on Modern Literature |
| Volume/sequential designation | 26. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789004333994">http://dx.doi.org/10.1163/9789004333994</a> |
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