GHU Logo
The Great Heights University Library
Academic discovery, digital access, and research support

Thinking bodies-shaping hands : (Record no. 21010)

MARC details
000 -LEADER
fixed length control field 03466cam a22004698i 4500
001 - CONTROL NUMBER
control field BRILL9789004407725
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610105021.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190531s2019 ne b 001 0 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004407725
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789004353848
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789004407725
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1120724427
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e-ne---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND646
Item number .H33 2019
072 #7 - SUBJECT CATEGORY CODE
Subject category code AB
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code ART
Subject category code subdivision 028000
Source bisacsh
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 759.9492/09032
Edition information 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hadjinicolaou, Yannis,
Relator term author.
245 10 - TITLE STATEMENT
Title Thinking bodies-shaping hands :
Remainder of title handeling in art and theory of the late Rembrandtists /
Statement of responsibility, etc. Yannis Hadjinicolaou.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Leiden Boston :
Name of producer, publisher, distributor, manufacturer BRILL,
Date of production, publication, distribution, manufacture, or copyright notice 2019.
300 ## - online resource
Extent 1 online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Studies in Netherlandish Art and Cultural History;
Volume/sequential designation volume15
490 1# - SERIES STATEMENT
Series statement Early Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Title Front Matter -- Copyright page -- Acknowledgements -- Figures -- Foreword /
Statement of responsibility Werner Busch -- Introduction -- Between Formal and Stylistic Diversity – Handeling in the Art of the Late Rembrandtists -- Primacy of the Hand -- Art Materials -- Facets of Handling the Paint -- The Iconicity of Action -- Proximity and Distance -- Epilogue -- Notes -- Back Matter -- Bibliography -- Index of Names.
520 ## - SUMMARY, ETC.
Summary, etc. Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt’s last pupils such as Arent de Gelder. „Handeling” describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term „style”, as with a prior step, which is equivalent to „manner”. At the same time, its meaning in Dutch till today is „action”. „Handeling” is an act that could be described as a „form-act”. It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the „Rembrandtist ideology of painting”, this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting, Dutch
Chronological subdivision 17th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Brushwork.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Color in art.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
General subdivision Philosophy.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Title Thinking bodies-shaping hands: handeling in art and theory of the late Rembrandtists,
Place, publisher, and date of publication Leiden Boston: BRILL, 2019
Record control number 9789004353848
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Studies in Netherlandish Art and Cultural History;
Volume/sequential designation volume15.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Early Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789004407725">http://dx.doi.org/10.1163/9789004407725</a>

No items available.