Literature and music / (Record no. 20675)
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| fixed length control field | 04091cam a2200457Ii 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789004334564 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610105015.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 020906s2002 nyu sb 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004334564 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042011915 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789004334564 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)50555677 |
| Canceled/invalid control number | (OCoLC)491031945 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN56.M83 |
| Item number | L48 2002 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | JFC |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC022000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 809.935 |
| 245 00 - TITLE STATEMENT | |
| Title | Literature and music / |
| Statement of responsibility, etc. | edited by Michael J. Meyer. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam, New York, NY : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2002. |
| 300 ## - online resource | |
| Extent | 1 online resource (238 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Rodopi perspectives on modern literature ; |
| Volume/sequential designation | 25 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Introduction / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Music, Desire, and Death in The Magic Mountain / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Making Her Work Her Life: Music in Willa Cather’s Fiction / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | The Enslaving Power of Folksong in Jean Toomer’s Cane / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Samuel Beckett’s Ping and Serialist Music Technique / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | I Gotcha! Signifying and Music in Eudora Welty’s “Powerhouse” / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | “Listening, listening”: Music and Gender in Howards End, Sinister Street and Pilgrimage / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Ernest J. Gaines and A Lesson Before Dying: The Literary Spiritual / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | A Quartet that is a Quartet: Lawrence Durrell’s Alexandria Quartet / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Music as a Locus of Social Conflict and Social Connection in Friedrich Torberg’s Süsskind von Trimberg / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | A Defining Moment in Ezra Pound’s Cantos: Musical Scores and Literary Texts / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Harmonic Dissonance: Steinbeck’s Implementation and Adaptation of Musical Techniques / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Lady sings the Blues: Gayl Jones’ Corregidora / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | About The Authors / |
| Statement of responsibility | Michael J. Meyer -- |
| Title | Abstracts of Arguments / |
| Statement of responsibility | Michael J. Meyer. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This collection of essays centers on musical elements that authors have employed in their work, thus joining heard sounds to a visual perception of their stories. The spectrum of authors represented is a wide one, from Pound to Durrell, from Steinbeck to Cather, from Beckett to Gaines, but even more unusual is the variety of musical type represented. Classical music (the quartet, the fugue, the symphony), Jazz (the jazz riff and jazz improv) and the spiritual all appear along with folk song and so-called random “noise.” Such diversity suggests that there are few limits when readers consider how great writers utilize musical styles and techniques. Indeed, each author seems to realize that it is not the type of music that s/he chooses to employ that is important. Rather, it is the realization that such musical elements as harmony, dissonance, tonal repetition and beat are just as important in prose composition as they are in poetry and song. The essayists have selected some works that may be considered obscure and some that are modern classics. Each one, however, has captured one of the varied ways in which words and music complement and enhance each other. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music and literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Literature, Modern |
| General subdivision | History and criticism. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Literature, Modern. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music and literature. |
| Source of heading or term | fast |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Criticism, interpretation, etc. |
| Source of term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Meyer, Michael J., |
| Dates associated with a name | 1943- |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Online version: |
| Title | Literature and music. |
| Place, publisher, and date of publication | Amsterdam, New York, NY : Rodopi, 2002 |
| Record control number | (OCoLC)605486846 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Rodopi Perspectives on Modern Literature |
| Volume/sequential designation | 25. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789004334564">http://dx.doi.org/10.1163/9789004334564</a> |
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