Decolonizing the landscape : (Record no. 15784)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04688cam a2200493Ii 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789401210423 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104847.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 140117s2014 ne a sb 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789401210423 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042037946 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789401210423 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)868558174 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | GN666 |
| Item number | .D43 2014 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | DU |
| Source | lcco |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | HN |
| Source | lcco |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | JFSL9 |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC020000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 820.9899/15 |
| Edition information | 23 |
| 245 00 - TITLE STATEMENT | |
| Title | Decolonizing the landscape : |
| Remainder of title | indigenous cultures in Australia / |
| Statement of responsibility, etc. | edited by Beate Neumeier and Kay Schaffer. |
| 246 30 - VARYING FORM OF TITLE | |
| Title proper/short title | Indigenous cultures in Australia |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2014. |
| 300 ## - online resource | |
| Extent | 1 online resource (xix, 296 pages) : |
| Other physical details | illustrations (some color) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Cross/cultures, |
| International Standard Serial Number | 0924-1426 ; |
| Volume/sequential designation | 173 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material -- |
| -- | From Drill to Dance / |
| Statement of responsibility | Kim Scott -- |
| Title | The Great Tradition: Translating Durrudiya’s Songs / |
| Statement of responsibility | Stephen Muecke -- |
| Title | Aboriginal Families, Knowledge, and the Archives: A Case Study / |
| Statement of responsibility | Anna Haebich -- |
| Title | Decolonizing Methodology in an Arnhem Land Garden / |
| Statement of responsibility | Michael Christie -- |
| Title | The ‘Cultural Design’ of Western Desert Art / |
| Statement of responsibility | Eleonore Wildburger -- |
| Title | Modernism, Antipòdernism, and Australian Aboriginality / |
| Statement of responsibility | Ian Henderson -- |
| Title | Material Resonance: Knowing Before Meaning / |
| Statement of responsibility | Bill Ashcroft -- |
| Title | Waiting at the Border: White Filmmaking on the Ground of Aboriginal Sovereignty / |
| Statement of responsibility | Lisa Slater -- |
| Title | Wounded Spaces/Geographies of Connectivity: Stephen Muecke’s No Road (bitumen all the way), Margaret Somerville’s Body/Landscape Journals, and Katrina Schlunke’s Bluff Rock: Autobiography of a Massacre / |
| Statement of responsibility | Kay Schaffer -- |
| Title | Recovering the Past: Entangled Histories in Kim Scott’s That Deadman Dance / |
| Statement of responsibility | Sue Kossew -- |
| Title | The Geopolitical Underground: Alexis Wright’s Carpentaria, Mining, and the Sacred / |
| Statement of responsibility | Philip Mead -- |
| Title | Identity and the Re-Assertion of Aboriginal Knowledge in Sam Watson’s The Kadaitcha Sung / |
| Statement of responsibility | Heinz Antor -- |
| Title | Gallows Humour and Stereotyping in the Nyungar Writer Alf Taylor’s Short Fiction: A White Cross-Racial Reading / |
| Statement of responsibility | Anne Brewster -- |
| Title | “And in my dreaming I can let go of the spirits of the past”: Gothicizing the Common Law in Richard Frankland’s No Way to Forget / |
| Statement of responsibility | Katrin Althans -- |
| Title | Performative Lives – Transformative Practices: Wesley Enoch and Deborah Mailman, The 7 Stages of Grieving, and Richard Frankland, Conversations with the Dead / |
| Statement of responsibility | Beate Neumeier -- |
| Title | Notes on Contributors. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for entering into a more authentic dialogue with Indigenous writers and critics. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Aboriginal Australians |
| General subdivision | Cultural assimilation. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Aboriginal Australians |
| General subdivision | Cultural assimilation. |
| Source of heading or term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Neumeier, Beate. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Schaffer, Kay, |
| Dates associated with a name | 1945- |
| 776 0# - ADDITIONAL PHYSICAL FORM ENTRY | |
| International Standard Book Number | 9789401210423 |
| 776 0# - ADDITIONAL PHYSICAL FORM ENTRY | |
| Record control number | (GyWOH)har145001174 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Cross/Cultures |
| Volume/sequential designation | 173. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Literature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789401210423">http://dx.doi.org/10.1163/9789401210423</a> |
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