Anonymous Art at Auction : (Record no. 15690)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05663nam a22004571i 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789004460201 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104846.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 200716s2021 ne sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004460201 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004450042 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789004460201 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| Canceled/invalid control number | (OCoLC)1228030499 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N72.S6 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | ART |
| Subject category code subdivision | 028000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 701.03 |
| Edition information | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Radermecker, Anne-Sophie V., |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Anonymous Art at Auction : |
| Remainder of title | The Reception of Early Flemish Paintings in the Western Art Market (1946-2015) / |
| Statement of responsibility, etc. | Anne-Sophie V. Radermecker. |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | The Reception of Early Flemish Paintings in the Western Art Market (1946-2015) |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Leiden; |
| -- | Boston : |
| Name of producer, publisher, distributor, manufacturer | BRILL, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2021. |
| 300 ## - online resource | |
| Extent | 1 online resource. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Studies in the History of Collecting & Art Markets ; |
| Volume/sequential designation | 11 |
| 490 1# - SERIES STATEMENT | |
| Series statement | Early Modern History and Modern History E-Books Online, Collection 2021, ISBN: 9789004441910 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Acknowledgements -- List of Figures, Tables, and Graphs -- Abbreviations -- Introduction -- 1 The Power of the Artist's Name -- 1.1 The Artist's Name and Its Attributes -- 1.2 Attributionism or a "History of the Art of Names" -- 1.3 The Relationship between the Artist's Name and the Work's Cultural and Economic Value -- 1.4 The Cognitive Impact of the Artist's Name -- 1.5 The Artist's Name as Brand Name -- 1.6 The Monetary Weight of the Artist's Name -- 2 Anonymity and Flemish Painting -- 2.1 The Painting of the Southern Low Countries in the Fifteenth and Sixteenth Centuries -- 2.2 Pictures by and for the Market -- 2.3 Between Identity and Anonymity: The Duality of Flemish Painting -- 2.4 A School and Artists Subject to Changing Preferences -- 2.5 A Complex Authentication Process -- 2.6 The Advent of Technical Art History and the Relativity of Authorship -- 2.7 Perception of the Anonymity of Flemish Paintings -- 2.8 Identification Strategies in Use in the Market for Flemish Paintings -- 3 Methodological Considerations -- 3.1 Chronological and Geographical Framework -- 3.2 Sources and Data -- 3.3 Hedonic Regression -- 3.4 Research Limits -- 3.5 Description of the Database -- 4 Empirical Analysis of the Market for Flemish Paintings -- 4.1 Price Index (1946-2015) -- 4.2 The Main Price Determinants of the Market for Flemish Paintings -- 4.3 Price Indices by Identification Strategy. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 5 A Name, Indirectly. The Authentication Scale and the Economy of Attribution Qualifiers -- 5.1 Introduction -- 5.2 A Revised Authentication System: Christie's and Sotheby's Repositioning on Attribution -- 5.3 The Impact of the Authentication Scale on Buyers' Willingness to Pay -- 5.4 Management and Promotion of Indirect Names -- 5.5 Lexicometric Analysis of Auction Houses' Discourse -- 5.6 Qualitative Analysis of Auction Houses' Discourse -- 5.7 The Reception of New Attribution Practices in the Market for Flemish Paintings -- 5.8 The Attitude to Non-autograph Works: Prospects for Change -- 5.9 Partial Conclusions -- 6 A Fictitious Identity. The Market for Masters with Provisional Names -- 6.1 Introduction -- 6.2 The Provisional Name: Historiography of a Practice Inherited from a Traditional Connoisseurship -- 6.3 The Market for Masters with Provisional Names: Analysis and Discussion -- 6.4 Partial Conclusions -- 7 Paintings without Names. The Market Reception of Spatiotemporal Designations -- 7.1 Introduction -- 7.2 The Critical Reception of Antwerp Mannerism or the "Ungrateful Task of Bringing Order into the Chaos" -- 7.3 Managing Anonymity: A Nomenclature of Spatiotemporal Designations -- 7.4 The Market for Anonymous Flemish Paintings: Analysis and Discussion -- 7.5 Sales Strategies: Indirect or Spatiotemporal Designations? -- 7.6 Thoughts on an Authentication System Reducing the Impact of Anonymity on the Cultural and Economic Value of Old Master Paintings -- 7.7 Partial Conclusions -- Conclusion -- Appendix -- Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle finding of this book is not only that historical names matter in the art market, but so do all other alternative identification strategies that art market players use to label anonymous paintings. Indirect names, provisional names, and spatiotemporal designations function as substitutes for real names that simulate identities, create ex-post stories around the artworks offered for sale, and, consequently, reduce information asymmetry about an artist's identity, with, at time, quite unexpected effects on price. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art and history. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Anonymous Art at Auction : The Reception of Early Flemish Paintings in the Western Art Market (1946-2015), |
| Place, publisher, and date of publication | Leiden ; Boston : BRILL, 2021 |
| International Standard Book Number | 9789004450042 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Studies in the History of Collecting & Art Markets ; |
| Volume/sequential designation | 11. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Early Modern History and Modern History E-Books Online, Collection 2021, ISBN: 9789004441910. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789004460201">http://dx.doi.org/10.1163/9789004460201</a> |
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