Push me, pull you / (Record no. 14257)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 07313nam a2200565 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789004215139 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104821.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 110630s2011 ne aeh sb 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2011009018 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004215139 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789004205734 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789004215139 |
| Source of number or code | DOI |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 043 ## - GEOGRAPHIC AREA CODE | |
| Geographic area code | e------ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N7850 |
| Item number | .P87 2011 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 704.9/48209024 |
| Edition information | 22 |
| 099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC) | |
| Classification number | 311.3 B648 P98 |
| 245 00 - TITLE STATEMENT | |
| Title | Push me, pull you / |
| Statement of responsibility, etc. | edited by Sarah Blick and Laura D. Gelfand. |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | Imaginative and emotional interaction in late medieval and Renaissance art |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | Physical and spatial interaction in late medieval and Renaissance art |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | Push me, pull you : |
| Remainder of title | imaginative and emotional interaction in late medieval and Renaissance art |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | Push me, pull you : |
| Remainder of title | physical and spatial interaction in late medieval and Renaissance art |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Leiden ; |
| -- | Boston : |
| Name of producer, publisher, distributor, manufacturer | Brill, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2011. |
| 300 ## - online resource | |
| Extent | 1 online resource. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 0# - SERIES STATEMENT | |
| Series statement | Brill eBook titles |
| 490 1# - SERIES STATEMENT | |
| Series statement | Studies in medieval and Reformation traditions, |
| International Standard Serial Number | 1573-4188 ; |
| Volume/sequential designation | v. 156/1-2 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material -- |
| -- | 1. Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume de Digulleville’s Pelerinage Jhesucrist / |
| Statement of responsibility | Robert L.A. Clark and Pamela Sheingorn -- |
| Title | 2. Dangerous Passages and Spiritual Redemption in the Hortus Deliciarum / |
| Statement of responsibility | Elizabeth Monroe -- |
| Title | 3. Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks / |
| Statement of responsibility | Anne Rudloff Stanton -- |
| Title | 4. Exploring the Border: The Breviary of Eleanor of Portugal / |
| Statement of responsibility | Margaret Goehring -- |
| Title | 5. Building Meaning: The First Architectural Alphabet / |
| Statement of responsibility | Erika Boeckeler -- |
| Title | 6. Still Walking: Spiritual Pilgrimage, Early Dutch Painting and the Dynamics of Faith / |
| Statement of responsibility | Henry Luttikhuizen -- |
| Title | 7. Pilgrimage through the Pages: Pilgrims’ Badges in Late Medieval Devotional Manuscripts / |
| Statement of responsibility | Megan H. Foster-Campbell -- |
| Title | 8. Prayers and Promises: The Interactive Indulgence Print in the Later Middle Ages / |
| Statement of responsibility | Walter S. Gibson -- |
| Title | 9. Art and Advertising: Late Medieval Altarpieces in Germany / |
| Statement of responsibility | Amy M. Morris -- |
| Title | 10. Who Sees Christ? An Alabaster Panel of the Mass of St. Gregory / |
| Statement of responsibility | Susan Leibacher Ward -- |
| Title | 11. The Well of Moses and Roland Barthes’ ‘Punctum’ of Piety / |
| Statement of responsibility | Donna L. Sadler -- |
| Title | 12. Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes’s Vienna Diptych / |
| Statement of responsibility | Mark Trowbridge -- |
| Title | 13. Communicating with the Host: Imagery and Eucharistic Contact in Late Medieval and Early Renaissance Italy / |
| Statement of responsibility | Kristen Van Ausdall -- |
| Title | 14. Empathetic Images and Painted Dialogues: The Visual and Verbal Rhetoric of Royal Private Piety in Renaissance Spain / |
| Statement of responsibility | Juan Luis González García -- |
| Title | 15. The fairest of them all: Reflections on Some Fourteenth-Century Mirrors / |
| Statement of responsibility | Alexa Sand -- |
| Title | 16. Bones and Stones: Imaging Sacred Defense in Medieval Cologne / |
| Statement of responsibility | Scott B. Montgomery -- |
| Title | 17. The Middle of Diptychs / |
| Statement of responsibility | Alfred Acres -- |
| Title | Bibliography to Volume 1 -- |
| -- | Index to Volume 1 -- |
| -- | Preliminary Material -- |
| -- | 1. Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela / |
| Statement of responsibility | Kathleen Ashley -- |
| Title | 2. Votives, Images, Interaction and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral / |
| Statement of responsibility | Sarah Blick -- |
| Title | 3. Cradling Power: Female Devotions and Early Netherlandish Jésueaux / |
| Statement of responsibility | Annette LeZotte -- |
| Title | 4. Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response / |
| Statement of responsibility | Laura D. Gelfand -- |
| Title | 5. Consorting with Stone: The Figure of the Speaking and Moving Statue in Early Modern Italian Writing / |
| Statement of responsibility | Lex Hermans -- |
| Title | 6. Images, Efficacy and Ritual in the Renaissance: Burning the Devil and Dusting the Madonna / |
| Statement of responsibility | Fredrika H. Jacobs -- |
| Title | 7. Everybody’s Darling. Transformation of Value and Transformation of Meaning in the Veneration of St. Elizabeth of Thuringia / |
| Statement of responsibility | Viola Belghaus -- |
| Title | 8. The Pilgrim’s Progress: Devotional Journey through the Holy Womb / |
| Statement of responsibility | Elina Gertsman -- |
| Title | 9. Memento Mori: The Deadly Art of Interaction / |
| Statement of responsibility | Suzanne Karr Schmidt -- |
| Title | 10. Preparing the Mind. Preparing the Soul. The Fusion of Franciscan Thought into the Daily Lives of Friars in the Sacristy Decoration of Santa Croce, Florence / |
| Statement of responsibility | Michelle A. Erhardt -- |
| Title | 11. Parallelism in Giotto’s Santa Croce Frescoes / |
| Statement of responsibility | Jane C. Long -- |
| Title | 12. The Guiding Illusions of the Morrison Triptych / |
| Statement of responsibility | Mark Tucker and Lloyd DeWitt. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward. |
| 610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Pierpont Morgan Library. |
| Form subheading | Manuscript. |
| Number of part/section/meeting | M.52. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Christian art and symbolism |
| Chronological subdivision | Medieval, 500-1500. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Christian art and symbolism |
| Chronological subdivision | Renaissance, 1450-1600. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Spirituality in architecture |
| Geographic subdivision | Europe. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Spirituality in art |
| Geographic subdivision | Europe. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME | |
| Geographic name | Europe |
| General subdivision | Religious life and customs. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Blick, Sarah. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Gelfand, Laura Deborah. |
| 700 12 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Goehring, Margaret L. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art |
| Place, publisher, and date of publication | Leiden, Boston : BRILL, 2011, |
| International Standard Book Number | 9789004205734 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Studies in Medieval and Reformation Traditions |
| Volume/sequential designation | 156. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | European History and Culture E-Books Online, Collection 2011, ISBN: 9789004222878. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789004215139">http://dx.doi.org/10.1163/9789004215139</a> |
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