The changing face of evil in film and television / (Record no. 13970)
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| 001 - CONTROL NUMBER | |
| control field | BRILL9789401205276 |
| 003 - CONTROL NUMBER IDENTIFIER | |
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104816.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 071129s2007 ne sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789401205276 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042023246 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789401205276 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)182585307 |
| Canceled/invalid control number | (OCoLC)613031895 |
| -- | (OCoLC)712988709 |
| -- | (OCoLC)714567316 |
| -- | (OCoLC)764536617 |
| -- | (OCoLC)842273427 |
| -- | (OCoLC)847023594 |
| -- | (OCoLC)961510638 |
| -- | (OCoLC)962587748 |
| -- | (OCoLC)966211892 |
| -- | (OCoLC)988458579 |
| -- | (OCoLC)991940533 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1995.9.E93 |
| Item number | C43 2007eb |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PER |
| Subject category code subdivision | 004040 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | GT |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | POL000000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4368 |
| Edition information | 22 |
| 245 04 - TITLE STATEMENT | |
| Title | The changing face of evil in film and television / |
| Statement of responsibility, etc. | edited by Martin F. Norden. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam ; |
| -- | New York, NY : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2007. |
| 300 ## - online resource | |
| Extent | 1 online resource (xxi, 244 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS | |
| File type | data file |
| Source | rda |
| 380 ## - FORM OF WORK | |
| Form of work | Bibliography |
| 490 1# - SERIES STATEMENT | |
| Series statement | At the interface/probing the boundaries, |
| International Standard Serial Number | 1570-7113 ; |
| Volume/sequential designation | v. 41 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material -- |
| -- | The Bite at the Beginning: Encoding Evil Through Film Title Design / |
| Statement of responsibility | Matthew Soar -- |
| Title | Screening Evil in History: Rope, Compulsion, Scarface, Richard III / |
| Statement of responsibility | Linda Bradley Salamon -- |
| Title | The Radical Monism of Alfred Hitchcock / |
| Statement of responsibility | Mike Frank -- |
| Title | Natural Evil in the Horror Film: Alfred Hitchcock’s The Birds / |
| Statement of responsibility | Cynthia Freeland -- |
| Title | “The Devil Made Me Do It!”: Representing Evil and Disarticulating Mind/Body in the Supernatural Serial Killer Film / |
| Statement of responsibility | Matt Hills and Steven Jay Schneider -- |
| Title | Virtue, Vice, and the Harry Potter Universe / |
| Statement of responsibility | Thomas Hibbs -- |
| Title | Training Day and The Shield: Evil Cops and the Taint of Blackness / |
| Statement of responsibility | Robin R. Means Coleman and Jasmine Nicole Cobb -- |
| Title | The “Uncanny” Relationship of Disability and Evil in Film and Television / |
| Statement of responsibility | Martin F. Norden -- |
| Title | Comedy and the Holocaust in Roberto Benigni’s Life Is Beautiful/La vita è bella / |
| Statement of responsibility | Carlo Celli -- |
| Title | On the Void: The Fascinating Object of Evil in Human Remains / |
| Statement of responsibility | Garnet C. Butchart -- |
| Title | The Perfidious President and “The Beast”: Evil in Oliver Stone’s Nixon / |
| Statement of responsibility | John F. Stone -- |
| Title | Televising 9/11 and Its Aftermath: The Framing of George W. Bush’s Faith-Based Politics of Good and Evil / |
| Statement of responsibility | Gary R. Edgerton , William B. Hart and Frances Hassencahl -- |
| Title | Bibliography -- |
| -- | Notes on Contributors -- |
| -- | Index. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The popular media of film and television surround us daily with images of evil - images that have often gone critically unexamined. In the belief that people in ever-increasing numbers are turning to the media for their understanding of evil, this lively and provocative collection of essays addresses the changing representation of evil in a broad spectrum of films and television programmes. Written in refreshingly accessible and de-jargonised prose, the essays bring to bear a variety of philosophical and critical perspectives on works ranging from the cinema of famed director Alfred Hitchcock and the preternatural horror films Halloween and Friday the 13th to the understated documentary Human Remains and the television coverage of the immediate post-9/11 period. The Changing Face of Evil in Film and Television is for anyone interested in the moving-image representation of that pervasive yet highly misunderstood thing we call evil. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Evil in motion pictures. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures and television. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Evil in motion pictures. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures and television. |
| Source of heading or term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Norden, Martin F., |
| Dates associated with a name | 1951- |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Changing face of evil in film and television. |
| Place, publisher, and date of publication | Amsterdam ; New York, NY : Rodopi, 2007 |
| International Standard Book Number | 9789042023246 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | At the Interface / Probing the Boundaries |
| Volume/sequential designation | 41. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Literature and Cultural Studies E-Books Online, Collection 2007, ISBN: 9789004357969. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789401205276">http://dx.doi.org/10.1163/9789401205276</a> |
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