David Lynch : (Record no. 13096)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03300cam a2200433 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9783846750988 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104801.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 191130s2011 ne sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9783846750988 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9783770550982 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.30965/9783846750988 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| Canceled/invalid control number | (OCoLC)706900709 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1998.3.L96 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | APF |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PER |
| Subject category code subdivision | 004000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4302 |
| Edition information | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kaul, Susanne, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | David Lynch : |
| Remainder of title | a Einführung in seine Filme und Filmästhetik / |
| Statement of responsibility, etc. | Susanne Kaul; Jean-Pierre Palmier. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Paderborn : |
| Name of producer, publisher, distributor, manufacturer | Wilhelm Fink Verlag, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2011. |
| 300 ## - online resource | |
| Extent | 1 online resource |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | unmediated |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | directed by |
| 490 1# - SERIES STATEMENT | |
| Series statement | Schöningh and Fink Literature and Culture Studies E-Books, Collection 2007-2012, ISBN: 9783657100057 |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Preliminary Material -- Einleitung -- Lynchs Filmästhetik -- Nicht-filmische Projekte -- Frühe Filme (1968-1984) und Kurzfilme -- Blue Velvet (1986) -- Wild at Heart (1990) -- Twin Peaks: Fire Walk with me (1992) -- Lost Highway (1997) -- Th e Straight Story (1999) -- Mulholland Dr. (2001) -- Inland Empire (2006) -- Anmerkungen -- Bibliografie -- Filmografie. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Sind Lynchs Filme wirklich so schwer verständlich? Lassen sich die logischen Unstimmigkeiten erklären? Welche Rolle spielt dabei die Lynch-typische audiovisuelle Darstellung? Kaul und Palmier untersuchen die frühen Filme (Eraserhead, The Elephant Man, Dune), Kurzfilme und Serien Lynchs, fragen nach der Bedeutung der bildenden Kunst für Lynchs Filmästhetik und liefern eingehende Interpretationen seiner wichtigsten Filme: Blue Velvet, Wild at Heart, Twin Peaks: Fire Walk with Me, Lost Highway, The Straight Story, Mulholland Dr., Inland Empire. Die Interpretationen bestehen aus einer Übersicht über die Produktions- und Rezeptionshintergründe, einer ausführlichen Analyse der Handlung und der audiovisuellen Präsentation sowie einer detaillierten Szenenanalyse. Das Buch führt filmästhetische und -narratologische Analyseverfahren zusammen, um den Mythos der Uninterpretierbarkeit der Lynch-Filme aufzulösen. Eine klar argumentierende und übersichtlich gegliederte Einführung in David Lynchs Werk. Aus dem Inhalt: EINLEITUNG LYNCHS FILMÄSTHETIK FRÜHE FILME (1968-1984) UND KURZFILME NICHT-FILMISCHE PROJEKTE BLUE VELVET (1986) WILD AT HEART (1990) TWIN PEAKS: FIRE WALK WITH ME (1992) LOST HIGHWAY (1997) THE STRAIGHT STORY (1999) MULHOLLAND DR. (2001) INLAND EMPIRE (2006) ANHANG ANMERKUNGEN BIBLIOGRAFIE FILMOGRAFIE. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Film. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Palmier, Jean-Pierre, |
| Relator term | author. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | David Lynch: Einführung in seine Filme und Filmästhetik, |
| Place, publisher, and date of publication | Paderborn : Wilhelm Fink Verlag, 2011 |
| Record control number | 9783770550982 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | directed by. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Schöningh and Fink Literature and Culture Studies E-Books, Collection 2007-2012, ISBN: 9783657100057. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.30965/9783846750988">http://dx.doi.org/10.30965/9783846750988</a> |
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