Avant-garde film / (Record no. 13051)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05239nam a2200481 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789401200035 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104800.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 071211s2007 ne sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789401200035 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042023055 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789401200035 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)183317290 |
| Canceled/invalid control number | (OCoLC)647915169 |
| -- | (OCoLC)714568409 |
| -- | (OCoLC)764536776 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1995.9.E96 |
| Item number | A93 2007eb |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PER |
| Subject category code subdivision | 004040 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | DSA |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | LIT006000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.43/61 |
| Edition information | 22 |
| 245 00 - TITLE STATEMENT | |
| Title | Avant-garde film / |
| Statement of responsibility, etc. | edited by Alexander Graf and Dietrich Scheunemann. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam ; |
| -- | New York, NY : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2007. |
| 300 ## - online resource | |
| Extent | 1 online resource (xi, 405 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Avant garde critical studies ; |
| Volume/sequential designation | 23 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary material / |
| Statement of responsibility | Editors Avant-Garde Film -- |
| Title | Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / |
| Statement of responsibility | R. Bruce Elder -- |
| Title | Frames and Windows: Visual Space in Abstract Cinema / |
| Statement of responsibility | A.L. Rees -- |
| Title | Paris – Berlin – Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920s / |
| Statement of responsibility | Alexander Graf -- |
| Title | Man Ray’s Films: From Dada to Surrealism / |
| Statement of responsibility | Rudolf E. Kuenzli -- |
| Title | On Mário Peixoto’s Limite / |
| Statement of responsibility | Michael Korfmann -- |
| Title | Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / |
| Statement of responsibility | Tami M. Williams -- |
| Title | Mayakovsky: Film: Futurism / |
| Statement of responsibility | Marina Burke -- |
| Title | The Interiority of Space: Desire and Maya Deren / |
| Statement of responsibility | Maureen Turim -- |
| Title | Stan Brakhage’s Film Testament: The Four Faust Films / |
| Statement of responsibility | Inez Hedges -- |
| Title | Light-Play and the Aesthetics of Avant-Garde Film / |
| Statement of responsibility | William C. Wees -- |
| Title | Paul Sharits: from Cinematic Movement to Nondirectional Motion / |
| Statement of responsibility | Yvonne Spielmann -- |
| Title | Changes in experimental filmmaking between the 1920s and the 1960s: On Luis Buñuel / |
| Statement of responsibility | Pierre Sorlin -- |
| Title | It’s a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / |
| Statement of responsibility | Bart Keunen and Sascha Bru -- |
| Title | Peter Kubelka’s Arnulf Rainer / |
| Statement of responsibility | Nicky Hamlyn -- |
| Title | Danish Avant-Garde Filmmakers of the 1960s: Technology, Cross-aesthetics and Politics / |
| Statement of responsibility | Tania Ørum -- |
| Title | French Experimental Cinema: the Figural and the Formless – Nicolas Rey’s Terminus for you (1996) and Pip Chodorov’s Charlemagne 2: Piltzer (2002) / |
| Statement of responsibility | Martine Beugnet -- |
| Title | The Stammering Frame: on recent French and Austrian Film Experiments / |
| Statement of responsibility | Frédérique Devaux -- |
| Title | Inscriptions of Light and The ‘Calligraphy of Decay’: Volatile Representation in Bill Morrison’s Decasia / |
| Statement of responsibility | Ursula Böser -- |
| Title | From Video Art to Video Performance: The Work of Ulrike Rosenbach / |
| Statement of responsibility | Günter Berghaus -- |
| Title | New Media and Feminist Interventions: Valie Export’s Medial Anagrams / |
| Statement of responsibility | Margit Grieb -- |
| Title | The Paracinema of Anthony McCall and Tony Conrad / |
| Statement of responsibility | Jonathan Walley -- |
| Title | List of Illustrations / |
| Statement of responsibility | Editors Avant-Garde Film -- |
| Title | Contributors to this volume / |
| Statement of responsibility | Editors Avant-Garde Film -- |
| Title | Index / |
| Statement of responsibility | Editors Avant-Garde Film. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines. |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM | |
| Chronological term | 1900 - 1999 |
| Source of heading or term | fast |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Experimental films |
| General subdivision | History and criticism |
| Chronological subdivision | 20th century. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Experimental films. |
| Source of heading or term | fast |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Criticism, interpretation, etc. |
| Source of term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Graf, Alexander. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Scheunemann, Dietrich. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Avant-garde film. |
| Place, publisher, and date of publication | Amsterdam ; New York, NY : Rodopi, 2007 |
| International Standard Book Number | 9042023058 |
| -- | 9789042023055 |
| Record control number | (OCoLC)181068805 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Avant-Garde Critical Studies |
| Volume/sequential designation | 23. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Literature and Cultural Studies E-Books Online, Collection 2007, ISBN: 9789004357969. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789401200035">http://dx.doi.org/10.1163/9789401200035</a> |
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