Stravinsky, God, and Time / (Record no. 12984)
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| 001 - CONTROL NUMBER | |
| control field | BRILL9789004518537 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104759.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220531s2022 ne sb 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2022022266 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004518537 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004518247 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789004518537 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| Canceled/invalid control number | (OCoLC)1303079621 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML410.S932 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | AVH |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | MUS |
| Subject category code subdivision | 000000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | BIO |
| Subject category code subdivision | 004000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 780.5 |
| Edition information | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sills, Helen, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Stravinsky, God, and Time / |
| Statement of responsibility, etc. | Helen Sills. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Leiden ; |
| -- | Boston : |
| Name of producer, publisher, distributor, manufacturer | Brill, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
| 300 ## - online resource | |
| Extent | 1 online resource. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Consciousness, Literature and the Arts ; |
| Volume/sequential designation | 59 |
| 500 ## - GENERAL NOTE | |
| General note | This ground-breaking study of Stravinsky’s spirituality presents a new view of his music as unified, challenging the current view which describes it as often discontinuous and static. Stravinsky’s spirituality is the origin of his radical restoration of time in music. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Acknowledgements -- List of Tables and Illustrations -- Notes on Previously Published Material -- Prologue -- 1 The Stravinsky Legacy? -- 1 ‘Time’ for a New Legacy? -- 2 Being and Time: A Nightingale Sings … -- 1 Stravinsky’s Spirituality … -- 2 … and Musical Inheritance -- 3 Temporality in Znamenny Chant -- 4 Resonance -- 5 Le Rossignol (1908–14) -- 3 From Now to Eternity -- 1 Petrushka (1911) -- 2 Zvezdoliki (1911) -- 2.1 Stravinsky and the Old Believers -- 2.2 Time Qualities in Zvezdoliki -- 4 A Russian Spring -- 1 Time as a Mental Construct -- 2 The Rite of Spring -- 3 Time Qualities in The Rite of Spring -- 5 A Japanese Spring -- 6 Heaven and Earth -- 1 The 025 Motif and Changing Time Qualities -- 7 New Patterns for Old -- 1 Cortical Patterning -- 2 Three Pieces for String Quartet (1914) -- 3 Chant Dissident (1919) -- 4 Pulcinella (1919–20) -- 5 Symphonies of Wind Instruments (1920) and Cubism -- 6 Symphonies of Wind Instruments (1920): Temporal Form -- 7 Time and Form: Jacques Maritain -- 8 Time for Pushkin -- 9 The Object Is Time -- 1 Mental Imaging -- 2 Octet (1923) -- 3 Oedipus Rex (1926) -- 4 Apollo (1928) -- 5 Lourié’s Understanding of Stravinsky -- 10 A Journey to Hyperspace -- 1 1st Movement -- 2 2nd Movement -- 3 3rd Movement -- 4 Music as a Higher Brain Function -- 11 Faith Matters -- 1 Pater Noster (1926) -- 2 Russian Credo (1932) -- 3 Ave Maria (1934) -- 4 Tests of Faith -- 5 Perséphone (1933) -- 6 Darker Times -- 7 Babel (1944) -- 8 Mass (1944–48) -- 8.1 Kyrie -- 8.2 Gloria -- 8.3 Credo -- 8.4 Sanctus -- 8.5 Agnus Dei -- 9 The Poetics of Stravinsky and Maritain -- 12 A Matter of Time -- 13 Stravinsky, Schoenberg and God -- 1 Belief in Divine Authority -- 2 Belief in the Hebrew God -- 3 Belief in Biblical Mythology -- 4 Belief in Catholic Culture -- 5 Devotion to the Word -- 6 Synthesis -- 14 New Wine -- 1 Cantata (1952) -- 2 Stravinsky, Webern and God -- 3 Canticum Sacrum (1955) -- 4 Threni (1958) -- 4.1 De Elegia Prima -- 4.2 De Elegia Tertia -- 4.3 De Elegia Quinta -- 15 Late Harvest -- 1 A Sermon, A Narrative and A Prayer (1961) -- 1.1 A Sermon -- 1.2 A Narrative -- 1.3 A Prayer -- 2 Two Bible Stories: The Flood (1962) and Abraham and Isaac (1963) -- 3 The Flood (1962) -- 4 Abraham and Isaac (1962–3) -- 5 Requiem Canticles (1966) -- 5.1 Prelude -- 5.2 Exaudi -- 5.3 Dies Irae -- 5.4 Tuba Mirum -- 5.5 Interlude -- 5.6 Rex Tremendae -- 5.7 Lacrimosa -- 5.8 Libera Me -- 5.9 Postlude -- Epilogue -- Appendix 1 Victor Ivanovitch Nesmelov: The Science of Man -- Appendix 2 Gisèle Brelet -- Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | If, as Robert Craft remarked, ‘religious beliefs were at the core of Stravinsky’s life and work’, why have they not figured more prominently in discussions of his works? Stravinsky’s coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky’s spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky’s eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music |
| Chronological subdivision | 20th century |
| General subdivision | History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Musicology. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | History. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Stravinsky, God, and Time. |
| Place, publisher, and date of publication | Leiden ; Boston : Brill, 2022 |
| International Standard Book Number | 9789004518247 |
| Record control number | (DLC) 2022022265 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Consciousness, Literature and the Arts ; |
| Volume/sequential designation | 59. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789004518537">http://dx.doi.org/10.1163/9789004518537</a> |
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