Avant-garde/Neo-avant-garde / (Record no. 12475)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 05300cam a2200493Ii 4500 |
| 001 - CONTROL NUMBER | |
| control field | BRILL9789401202589 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | nllekb |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610104751.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr un uuuua |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 060801s2005 ne ac sb 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789401202589 |
| Qualifying information | (electronic book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789042019256 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1163/9789401202589 |
| Source of number or code | DOI |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)70791649 |
| Canceled/invalid control number | (OCoLC)150379728 |
| -- | (OCoLC)714567426 |
| -- | (OCoLC)744551167 |
| -- | (OCoLC)764535810 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NL-LeKB |
| Transcribing agency | NL-LeKB |
| Description conventions | rda |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | BH301.A94 |
| Item number | A93 2005eb |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PHI |
| Subject category code subdivision | 001000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | GT |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | POL000000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 111.85 |
| Edition information | 22 |
| 245 00 - TITLE STATEMENT | |
| Title | Avant-garde/Neo-avant-garde / |
| Statement of responsibility, etc. | edited by Dietrich Scheunemann. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam : |
| Name of producer, publisher, distributor, manufacturer | Rodopi, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2005. |
| 300 ## - online resource | |
| Extent | 1 online resource (346 pages) : |
| Other physical details | illustrations, portrait. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Avant Garde critical studies ; |
| Volume/sequential designation | 17 |
| 500 ## - GENERAL NOTE | |
| General note | Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Preliminary Material / |
| Statement of responsibility | Dietrich Scheunemann -- |
| Title | Preface / |
| Statement of responsibility | Dietrich Scheunemann -- |
| Title | From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / |
| Statement of responsibility | DIETRICH SCHEUNEMANN -- |
| Title | Wilhelm Worringer and the Historical Avant-Garde / |
| Statement of responsibility | RHYS W. WILLIAMS -- |
| Title | On the Historiographic Distinction between Historical and Neo-Avant-Garde / |
| Statement of responsibility | HUBERT VAN DEN BERG -- |
| Title | Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / |
| Statement of responsibility | MICHAEL WHITE -- |
| Title | Sameness and Difference: Duchamp’s Editioned Readymades and the Neo-Avant-Garde / |
| Statement of responsibility | DAVID HOPKINS -- |
| Title | Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / |
| Statement of responsibility | BEN HIGHMORE -- |
| Title | Verbal Chemistry and Concrete Poetry / |
| Statement of responsibility | KEITH ASPLEY -- |
| Title | How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / |
| Statement of responsibility | ANNA KATHARINA SCHAFFNER -- |
| Title | American Language Poetry and the Definition of the Avant-Garde / |
| Statement of responsibility | JACOB EDMOND -- |
| Title | From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / |
| Statement of responsibility | GÜNTER BERGHAUS -- |
| Title | Actor or Puppet: The Body in the Theatres of the Avant-Garde / |
| Statement of responsibility | OLGA TAXIDOU -- |
| Title | Fragmentation of the Body in Spanish Surrealism / |
| Statement of responsibility | UTA FELTEN -- |
| Title | The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / |
| Statement of responsibility | DAVID MACRAE -- |
| Title | What Avant-Garde? / |
| Statement of responsibility | GÉRARD LEBLANC -- |
| Title | The Limits of “Non-Plan”: Architecture and the Avant-Garde / |
| Statement of responsibility | RICHARD WILLIAMS -- |
| Title | Montage in the Arts: A Reassessment / |
| Statement of responsibility | JENNIFER VALCKE -- |
| Title | Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960s / |
| Statement of responsibility | TANIA ØRUM -- |
| Title | Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / |
| Statement of responsibility | KLAUS BEEKMAN -- |
| Title | List of Illustrations / |
| Statement of responsibility | Dietrich Scheunemann -- |
| Title | Index / |
| Statement of responsibility | Dietrich Scheunemann. |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Available to subscribing member institutions only. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950s and 1960s. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned readymades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years. |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM | |
| Chronological term | 1900 - 2099 |
| Source of heading or term | fast |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Avant-garde (Aesthetics) |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Arts, Modern |
| Chronological subdivision | 20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Arts, Modern |
| Chronological subdivision | 21st century. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Arts, Modern. |
| Source of heading or term | fast |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Avant-garde (Aesthetics) |
| Source of heading or term | fast |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Scheunemann, Dietrich. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Title | Avant-garde/Neo-avant-garde. |
| Place, publisher, and date of publication | Amsterdam : Rodopi, 2005 |
| International Standard Book Number | 9042019255 |
| Record control number | (OCoLC)62273921 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Avant-Garde Critical Studies |
| Volume/sequential designation | 17. |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Public note | DOI: |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.1163/9789401202589">http://dx.doi.org/10.1163/9789401202589</a> |
No items available.