A companion to music in sixteenth-century Venice /
A companion to music in sixteenth-century Venice /
edited by Katelijne Schiltz.
- 1 online resource.
- Brill's companions to the musical culture of medieval and early modern Europe ; v. 2 .
- Brill's Companions to the Musical Culture of Medieval and Early Modern Europe 2. Brill's Companions to Early Modern and Modern History Online I, ISBN: 9789004389236. .
Includes bibliographical references and index.
Preliminary Material -- Introduction: Mapping Musical Life in Cinquecento Venice / 1 San Marco / 2 Music at Parish, Monastic, and Nunnery Churches and at Confraternities / 3 Parish and Monastic Churches: Civic Custom and the Quotidian in the System of Institutional Patronage / 4 Music and the Academies of Venice and the Veneto / 5 Music, Ritual, and Festival: The Ceremonial Life of Venice / 6 Ridotti and Salons: Private Patronage / 7 The Maestri di Cappella / 8 Silent Voices: Professional Singers in Venice / 9 Instrumentalists and Instrument Makers before c. 1550 / 10 Instruments, Instrument Makers, and Instrumentalists in the Second Half of the Sixteenth Century / 11 Music Printing and Publishing in Cinquecento Venice / 12 From Aaron to Zarlino: Music Theorists in the Social and Cultural Matrix of Sixteenth-Century Venice / 13 Cori Spezzati in Composition and Sound / 14 The Frottola in the Veneto / 15 Venetian Instrumental Music in the Sixteenth Century / 16 Language, Style, and Subgenre in Venetian-Language Polyphony / 17 Jewish Art Music in Late Sixteenth- and Early Seventeenth-Century Italy / 18 The ‘Other’ Coastal Area of Venice: Musical Ties with Istria and Dalmatia / Selected Bibliography / General Index / Katelijne Schiltz -- Giulio M. Ongaro -- Jonathan Glixon -- Elena Quaranta -- Iain Fenlon -- Iain Fenlon -- Rodolfo Baroncini -- Francesco Passadore -- Paolo Da Col -- Bonnie J. Blackburn -- Jeffrey Kurtzman -- Sherri Bishop -- Rebecca Edwards -- David Bryant -- Giovanni Zanovello -- Eleanor Selfridge-Field -- Daniel Donnelly -- Don Harrán -- Ivano Cavallini -- Katelijne Schiltz -- Katelijne Schiltz.
Available to subscribing member institutions only.
This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.
9789004358300
10.1163/9789004358300 DOI
2017044736
Music--History and criticism.--Italy--Venice--16th century
Music--Social aspects--History--Italy--Venice--16th century.
ML290.8.V26
780.945/31109031
Includes bibliographical references and index.
Preliminary Material -- Introduction: Mapping Musical Life in Cinquecento Venice / 1 San Marco / 2 Music at Parish, Monastic, and Nunnery Churches and at Confraternities / 3 Parish and Monastic Churches: Civic Custom and the Quotidian in the System of Institutional Patronage / 4 Music and the Academies of Venice and the Veneto / 5 Music, Ritual, and Festival: The Ceremonial Life of Venice / 6 Ridotti and Salons: Private Patronage / 7 The Maestri di Cappella / 8 Silent Voices: Professional Singers in Venice / 9 Instrumentalists and Instrument Makers before c. 1550 / 10 Instruments, Instrument Makers, and Instrumentalists in the Second Half of the Sixteenth Century / 11 Music Printing and Publishing in Cinquecento Venice / 12 From Aaron to Zarlino: Music Theorists in the Social and Cultural Matrix of Sixteenth-Century Venice / 13 Cori Spezzati in Composition and Sound / 14 The Frottola in the Veneto / 15 Venetian Instrumental Music in the Sixteenth Century / 16 Language, Style, and Subgenre in Venetian-Language Polyphony / 17 Jewish Art Music in Late Sixteenth- and Early Seventeenth-Century Italy / 18 The ‘Other’ Coastal Area of Venice: Musical Ties with Istria and Dalmatia / Selected Bibliography / General Index / Katelijne Schiltz -- Giulio M. Ongaro -- Jonathan Glixon -- Elena Quaranta -- Iain Fenlon -- Iain Fenlon -- Rodolfo Baroncini -- Francesco Passadore -- Paolo Da Col -- Bonnie J. Blackburn -- Jeffrey Kurtzman -- Sherri Bishop -- Rebecca Edwards -- David Bryant -- Giovanni Zanovello -- Eleanor Selfridge-Field -- Daniel Donnelly -- Don Harrán -- Ivano Cavallini -- Katelijne Schiltz -- Katelijne Schiltz.
Available to subscribing member institutions only.
This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.
9789004358300
10.1163/9789004358300 DOI
2017044736
Music--History and criticism.--Italy--Venice--16th century
Music--Social aspects--History--Italy--Venice--16th century.
ML290.8.V26
780.945/31109031