Seneca on the stage /
Sutton, Dana Ferrin.
Seneca on the stage / by Dana Ferrin Sutton. - 1 online resource (vi, 72 pages) - Mnemosyne, bibliotheca classica Batava. Supplementum ; 96 . - Mnemosyne, Supplements 96. Mnemosyne Supplements Online, Volumes 1-203, ISBN: 9789004381049. .
Includes bibliographical references and index.
Preliminary Material / Introduction / Use of Dramatic Space and the Scaenae Frons / Scenic Features / Scenic Effects / Dramatic Time / The Actors / The Chorus / Introduction / The Plays / Conclusion / Artificial Blood in the Roman theater / Use of the Two-Building “Set” in the Medea / Index Locorum / Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton.
Available to subscribing member institutions only.
In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
9789004328310
10.1163/9789004328310 DOI
88198685
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. --Dramatic production.
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. --Tragedies.
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D.
Mythology, Classical, in literature.
Tragedy.
Criticism and interpretation.
Mythology, Classical, in literature.
Theater.
Tragedy.
PA6685 / .S88 1986
871S2 / Csu
Seneca on the stage / by Dana Ferrin Sutton. - 1 online resource (vi, 72 pages) - Mnemosyne, bibliotheca classica Batava. Supplementum ; 96 . - Mnemosyne, Supplements 96. Mnemosyne Supplements Online, Volumes 1-203, ISBN: 9789004381049. .
Includes bibliographical references and index.
Preliminary Material / Introduction / Use of Dramatic Space and the Scaenae Frons / Scenic Features / Scenic Effects / Dramatic Time / The Actors / The Chorus / Introduction / The Plays / Conclusion / Artificial Blood in the Roman theater / Use of the Two-Building “Set” in the Medea / Index Locorum / Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton -- Dana Ferrin Sutton.
Available to subscribing member institutions only.
In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
9789004328310
10.1163/9789004328310 DOI
88198685
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. --Dramatic production.
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. --Tragedies.
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D.
Mythology, Classical, in literature.
Tragedy.
Criticism and interpretation.
Mythology, Classical, in literature.
Theater.
Tragedy.
PA6685 / .S88 1986
871S2 / Csu