Dramatic Experience : The Poetics of Drama and the Early Modern Public Spheres.
Dramatic Experience : The Poetics of Drama and the Early Modern Public Spheres.
- 1 online resource.
- Drama and Theatre in Early Modern Europe 6. European History and Culture E-Books Online, Collection 2016-II, ISBN: 9789004303881. .
Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Index. Sven Thorsten Kilian -- Katja Gvozdeva -- Déborah Blocker -- Wendy Heller -- Tatiana Korneeva -- Logan J. Connors -- Kirill Ospovat -- Nigel Smith -- Hans Rudolf Velten -- Toni Bernhart -- Stanca Scholz-Cionca --
Available to subscribing member institutions only.
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
9789004329768
10.1163/9789004329768 DOI
Theater.
Theater audiences.
PN2049 / .D75 2016
792.01/3
Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Index. Sven Thorsten Kilian -- Katja Gvozdeva -- Déborah Blocker -- Wendy Heller -- Tatiana Korneeva -- Logan J. Connors -- Kirill Ospovat -- Nigel Smith -- Hans Rudolf Velten -- Toni Bernhart -- Stanca Scholz-Cionca --
Available to subscribing member institutions only.
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
9789004329768
10.1163/9789004329768 DOI
Theater.
Theater audiences.
PN2049 / .D75 2016
792.01/3