Common places : the poetics of African Atlantic postromantics /
Oakley, Seanna Sumalee.
Common places : the poetics of African Atlantic postromantics / Poetics of African Atlantic postromantics Seanna Sumalee Oakley. - 1 online resource (317 pages) - Textxet: studies in comparative literature ; 63 . - Textxet: Studies in Comparative Literature 63. Literature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914. .
Includes bibliographical references (p. 289-306) and index.
Preliminary Material -- OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION -- GLISSANT’S COMMON PLACES -- WALCOTT’S ALLEGORY OF HISTORY -- A BACKWARD FAITH IN WALCOTT’S “THE SCHOONER FLIGHT” -- CLAUDIA RANKINE: JANE EYRE’S BLUES AT THE END OF THE ALPHABET -- DEAR DIARY: AMANIFESTO – WEREWERE LIKING’S ELLE SERA DE JASPE ET DE CORAIL -- RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL -- MASKS OF AFFLICTION IN FRANKÉTIENNE’S HAITI -- FRANKÉTIENNE’S LOGORRHEA: AN EXCESS OF SEEMING -- “THE HORIZON DEVOURS MY VOICE”: NOTES ON TRANSLATION -- BIBLIOGRAPHY -- INDEX.
Available to subscribing member institutions only.
While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the “commonplace” to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attainable, differentially common future. Putting poets Frankétienne (Haiti), Werewere Liking (Côte d’Ivoire), Derek Walcott (St Lucia), and Claudia Rankine (Jamaica) in dialogue with Romantic poets and theorists, as well as with the more recent thinkers Édouard Glissant, Walter Benjamin, and Emmanuel Levinas, Oakley shows how African Atlantic poets formally revive Romantic forms, ranging from the social utopian manifesto to the poète maudit , in their pursuit of a redemptive allegory of African Atlantic experiences. Common Places addresses issues in African and Caribbean literary studies, Romanticism, poetics, rhetorical theory, comparative literature, and translation theory, and further, models a postcolonial critique in the aesthetic-ethical and “new aestheticist” vein.
Some quotations in French.
9789401206952
10.1163/9789401206952 DOI
2012429175
Glissant, Édouard, 1928-2011 --Criticism and interpretation.
Walcott, Derek--Criticism and interpretation.
Frankétienne--Criticism and interpretation.
Rankine, Claudia, 1963- --Criticism and interpretation.
Literature--Black authors--History and criticism.
Poetry--Black authors--History and criticism.
Caribbean poetry--African influences.
Cultural pluralism--History and criticism.
African diaspora in literature.
Postcolonialism in literature.
Miscegenation in literature.
PN849.C3 / O29 2011
809/.8896
Common places : the poetics of African Atlantic postromantics / Poetics of African Atlantic postromantics Seanna Sumalee Oakley. - 1 online resource (317 pages) - Textxet: studies in comparative literature ; 63 . - Textxet: Studies in Comparative Literature 63. Literature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914. .
Includes bibliographical references (p. 289-306) and index.
Preliminary Material -- OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION -- GLISSANT’S COMMON PLACES -- WALCOTT’S ALLEGORY OF HISTORY -- A BACKWARD FAITH IN WALCOTT’S “THE SCHOONER FLIGHT” -- CLAUDIA RANKINE: JANE EYRE’S BLUES AT THE END OF THE ALPHABET -- DEAR DIARY: AMANIFESTO – WEREWERE LIKING’S ELLE SERA DE JASPE ET DE CORAIL -- RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL -- MASKS OF AFFLICTION IN FRANKÉTIENNE’S HAITI -- FRANKÉTIENNE’S LOGORRHEA: AN EXCESS OF SEEMING -- “THE HORIZON DEVOURS MY VOICE”: NOTES ON TRANSLATION -- BIBLIOGRAPHY -- INDEX.
Available to subscribing member institutions only.
While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the “commonplace” to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attainable, differentially common future. Putting poets Frankétienne (Haiti), Werewere Liking (Côte d’Ivoire), Derek Walcott (St Lucia), and Claudia Rankine (Jamaica) in dialogue with Romantic poets and theorists, as well as with the more recent thinkers Édouard Glissant, Walter Benjamin, and Emmanuel Levinas, Oakley shows how African Atlantic poets formally revive Romantic forms, ranging from the social utopian manifesto to the poète maudit , in their pursuit of a redemptive allegory of African Atlantic experiences. Common Places addresses issues in African and Caribbean literary studies, Romanticism, poetics, rhetorical theory, comparative literature, and translation theory, and further, models a postcolonial critique in the aesthetic-ethical and “new aestheticist” vein.
Some quotations in French.
9789401206952
10.1163/9789401206952 DOI
2012429175
Glissant, Édouard, 1928-2011 --Criticism and interpretation.
Walcott, Derek--Criticism and interpretation.
Frankétienne--Criticism and interpretation.
Rankine, Claudia, 1963- --Criticism and interpretation.
Literature--Black authors--History and criticism.
Poetry--Black authors--History and criticism.
Caribbean poetry--African influences.
Cultural pluralism--History and criticism.
African diaspora in literature.
Postcolonialism in literature.
Miscegenation in literature.
PN849.C3 / O29 2011
809/.8896