Sound effects : the object voice in fiction /
Sound effects : the object voice in fiction /
Sound effects
edited by Jorge Sacido-Romero and Sylivia Mieszkowski.
- 1 online resource (XX, 339 pages)
- DQR studies in literature, v. 59 0921-2507 ; .
- DQR Studies in Literature 59. Literature and Cultural Studies E-Books Online, Collection 2015, ISBN: 9789004292840. .
Includes bibliographical references and index.
Preliminary Material / Revoicing Writing: An Introduction to Theorizing Vocality / ‘Secondary Vocality’ and the Sound Defect / The Object Voice in Romantic Irish Novels / Poe, Voice and the Origin of Horror Fiction / Double Voice and Extimate Singing in Trilby / Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses / Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man / The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener / “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) / ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) / Notes on Contributors / Index / Jorge Sacido-Romero and Sylvia Mieszkowski -- Jorge Sacido-Romero and Sylvia Mieszkowski -- Garrett Stewart -- Peter Weise -- Fred Botting -- Bruce Wyse -- Phillip Mahoney -- Natalja Chestopalova -- Jorge Sacido-Romero -- Matt Foley -- Sylvia Mieszkowski -- Alexander Hope -- Marcin Stawiarski -- Jorge Sacido-Romero and Sylvia Mieszkowski -- Jorge Sacido-Romero and Sylvia Mieszkowski.
Available to subscribing member institutions only.
Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.
9789004304406
10.1163/9789004304406 DOI
2015948134
Voice (Philosophy)
Literature--Philosophy.
Essays.
Essays.
Literature--Philosophy.
Voice (Philosophy)
B105.V64 / S68 2015
823.009353
Includes bibliographical references and index.
Preliminary Material / Revoicing Writing: An Introduction to Theorizing Vocality / ‘Secondary Vocality’ and the Sound Defect / The Object Voice in Romantic Irish Novels / Poe, Voice and the Origin of Horror Fiction / Double Voice and Extimate Singing in Trilby / Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses / Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man / The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener / “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) / ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) / Notes on Contributors / Index / Jorge Sacido-Romero and Sylvia Mieszkowski -- Jorge Sacido-Romero and Sylvia Mieszkowski -- Garrett Stewart -- Peter Weise -- Fred Botting -- Bruce Wyse -- Phillip Mahoney -- Natalja Chestopalova -- Jorge Sacido-Romero -- Matt Foley -- Sylvia Mieszkowski -- Alexander Hope -- Marcin Stawiarski -- Jorge Sacido-Romero and Sylvia Mieszkowski -- Jorge Sacido-Romero and Sylvia Mieszkowski.
Available to subscribing member institutions only.
Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.
9789004304406
10.1163/9789004304406 DOI
2015948134
Voice (Philosophy)
Literature--Philosophy.
Essays.
Essays.
Literature--Philosophy.
Voice (Philosophy)
B105.V64 / S68 2015
823.009353