Reassessing the roles of women as 'makers' of medieval art and architecture /
Reassessing the roles of women as 'makers' of medieval art and architecture /
edited by Therese Martin.
- 1 online resource (2 volumes) : illustrations.
- Visualising the Middle Ages ; v. 7 .
- Visualising the Middle Ages 7. European History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257. .
Includes bibliographical references and index.
Preliminary Material -- 1 Exceptions and Assumptions: Women in Medieval Art History / 2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / 3 Mere Embroiderers? Women and Art in Early Medieval Ireland / 4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / 5 The Roles of Women in Late Medieval Civic Pageantry in England / 6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / 7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / 8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / 9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / 10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / 11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / 12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / 13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / 14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / 15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / 16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / 17 The First Queens of Portugal and the Building of the Realm / 18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / 19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / 20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / 21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / 22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / 23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / 24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / Bibliography -- Index of People -- Index of Places -- Index of Subjects. Therese Martin -- Melissa R. Katz -- Jenifer Ní Ghrádaigh -- Ellen M. Shortell -- Nicola Coldstream -- Alexandra Gajewski -- Jane Tibbetts Schulenburg -- Rachel Moss -- Eileen McKiernan González -- Stefanie Seeberg -- Pierre Alain Mariaux -- Jaroslav Folda -- María Elena Díez Jorge -- Katrin Kogman-Appel -- Loveday Lewes Gee -- Glaire D. Anderson -- Miriam Shadis -- Jane Carroll -- Annie Renoux -- Loretta Vandi -- Mickey Abel -- Nancy L. Wicker -- Ana Maria S.A. Rodrigues -- Felipe Pereda --
Available to subscribing member institutions only.
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
9789004228320
10.1163/9789004228320 DOI
2012001118
Art, Medieval.
Architecture, Medieval.
Women artists--History--Europe--To 1500.
Women art patrons--History--Europe--To 1500.
Art and society--History--Europe--To 1500.
Architecture and society--History--Europe--To 1500.
N5970 / .R25 2012
704/.0420902
Includes bibliographical references and index.
Preliminary Material -- 1 Exceptions and Assumptions: Women in Medieval Art History / 2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / 3 Mere Embroiderers? Women and Art in Early Medieval Ireland / 4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / 5 The Roles of Women in Late Medieval Civic Pageantry in England / 6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / 7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / 8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / 9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / 10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / 11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / 12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / 13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / 14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / 15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / 16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / 17 The First Queens of Portugal and the Building of the Realm / 18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / 19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / 20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / 21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / 22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / 23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / 24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / Bibliography -- Index of People -- Index of Places -- Index of Subjects. Therese Martin -- Melissa R. Katz -- Jenifer Ní Ghrádaigh -- Ellen M. Shortell -- Nicola Coldstream -- Alexandra Gajewski -- Jane Tibbetts Schulenburg -- Rachel Moss -- Eileen McKiernan González -- Stefanie Seeberg -- Pierre Alain Mariaux -- Jaroslav Folda -- María Elena Díez Jorge -- Katrin Kogman-Appel -- Loveday Lewes Gee -- Glaire D. Anderson -- Miriam Shadis -- Jane Carroll -- Annie Renoux -- Loretta Vandi -- Mickey Abel -- Nancy L. Wicker -- Ana Maria S.A. Rodrigues -- Felipe Pereda --
Available to subscribing member institutions only.
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
9789004228320
10.1163/9789004228320 DOI
2012001118
Art, Medieval.
Architecture, Medieval.
Women artists--History--Europe--To 1500.
Women art patrons--History--Europe--To 1500.
Art and society--History--Europe--To 1500.
Architecture and society--History--Europe--To 1500.
N5970 / .R25 2012
704/.0420902