Building the canon through the classics : imitation and variation in Renaissance Italy (1350-1550) /
Building the canon through the classics : imitation and variation in Renaissance Italy (1350-1550) /
edited by Eloisa Morra.
- 1 online resource.
- Metaforms studies in the reception of classical antiquity, volume 15 2212-9405 ; Classical Studies E-Books Online, Collection 2020, ISBN: 9789004393820 .
- Metaforms 15. Classical Studies E-Books Online, Collection 2020, ISBN: 9789004393820. .
Includes bibliographical references and index.
Front Matter -- Copyright Page -- Acknowledgements -- Illustrations -- Notes on the Editor -- Notes on Contributors -- Introduction / Boccaccio as Homer: A Recently Discovered Self-portrait and the ‘modern’ Canon / In the Center of the Kaleidoscope: Ovidian Poetic Image and Boccaccio’s Self-Representation in De Mulieribus Claris / The Place of the Father: The Reception of Homer in the Renaissance Canon / Politian: The Philologer as Artist / Humanistic Biographies of Horace and His Inclusion in the Fifteenth-century Literary Canon / Editing Vernacular Classics in the Early Sixteenth Century: Ancient Models and Modern Solutions* / Building the Canon in 1530s Rome: Colocci’s epigrammatari as a Test Case / The Literary Canon and the Visual Arts: From the Three Crowns to Ariosto and Tasso / ‘Re-figuring’ Lucian of Samosata: Authorship and Literary Canon in Early Modern Italy / Back Matter -- Index of Names. Eloisa Morra -- Maddalena Signorini -- Talita Janine Juliani -- Valentina Prosperi -- Jaspreet Boparai -- Giacomo Comiati -- Carlo Caruso -- Nadia Cannata -- Federica Caneparo -- Irene Fantappiè --
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
9789004398030
10.1163/9789004398030 DOI
2019012579
Italian literature--History and criticism.
Italian literature--Classical influences.
Canon (Literature)
Imitation in literature.
PQ4075 / .B85 2019
850.9
Includes bibliographical references and index.
Front Matter -- Copyright Page -- Acknowledgements -- Illustrations -- Notes on the Editor -- Notes on Contributors -- Introduction / Boccaccio as Homer: A Recently Discovered Self-portrait and the ‘modern’ Canon / In the Center of the Kaleidoscope: Ovidian Poetic Image and Boccaccio’s Self-Representation in De Mulieribus Claris / The Place of the Father: The Reception of Homer in the Renaissance Canon / Politian: The Philologer as Artist / Humanistic Biographies of Horace and His Inclusion in the Fifteenth-century Literary Canon / Editing Vernacular Classics in the Early Sixteenth Century: Ancient Models and Modern Solutions* / Building the Canon in 1530s Rome: Colocci’s epigrammatari as a Test Case / The Literary Canon and the Visual Arts: From the Three Crowns to Ariosto and Tasso / ‘Re-figuring’ Lucian of Samosata: Authorship and Literary Canon in Early Modern Italy / Back Matter -- Index of Names. Eloisa Morra -- Maddalena Signorini -- Talita Janine Juliani -- Valentina Prosperi -- Jaspreet Boparai -- Giacomo Comiati -- Carlo Caruso -- Nadia Cannata -- Federica Caneparo -- Irene Fantappiè --
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
9789004398030
10.1163/9789004398030 DOI
2019012579
Italian literature--History and criticism.
Italian literature--Classical influences.
Canon (Literature)
Imitation in literature.
PQ4075 / .B85 2019
850.9