The globalization of Renaissance art : a critical review /
The globalization of Renaissance art : a critical review /
edited by Daniel Savoy.
- 1 online resource (xii, 341 pages) : illustrations.
- Brill's studies in intellectual history, v. 274 0920-8607 ; Brill's studies on art, art history, and intellectual history ; v. 23 .
- Brill's Studies in Intellectual History 274/23. Brill's Studies in Intellectual History Online, Supplement 2018, ISBN: 9789004353381. .
Includes bibliographical references.
Preliminary Material -- Introduction -- A Global Florence and its Blind Spots / Otto Kurz’s Global Vision / Decolonizing the Global Renaissance: A View from the Andes / Ranges of Response: Asian Appropriation of European Art and Culture / Reconsidering the World-system: The Agency and Material Geography of Gold / Linking the Mediterranean: The Construction of Trading Networks in 14th and 15th-century Italy / Cosmopolitan Renaissance: Prints in the Age of Exchange / The World Seen from Venice: Representing the Americas in Grand-scale Wall Maps / Global Renaissance Art: Classroom, Academy, Museum, Canon / Zones of Indifference / The “Global Turn” in Art History: Why, When, and How Does It Matter? / Epilogue: Roundtable -- Index. Sean Roberts -- Jessica Keating -- Ananda Cohen-Aponte -- Thomas DaCosta Kaufmann -- Lauren Jacobi -- Emanuele Lugli -- Stephanie Leitch -- Elizabeth Horodowich -- Lia Markey -- Marie Neil Wolff -- Claire Farago --
Available to subscribing member institutions only.
In The Globalization of Renaissance Art: A Critical Review , Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse’s goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff.
9789004355798
10.1163/9789004355798 DOI
2017052768
Art, Renaissance--Historiography.
Art--Historiography--Methodology.
Art--Historiography--Methodology.
Art, Renaissance--Historiography.
N6370 / .G56 2017
709.02/4
Includes bibliographical references.
Preliminary Material -- Introduction -- A Global Florence and its Blind Spots / Otto Kurz’s Global Vision / Decolonizing the Global Renaissance: A View from the Andes / Ranges of Response: Asian Appropriation of European Art and Culture / Reconsidering the World-system: The Agency and Material Geography of Gold / Linking the Mediterranean: The Construction of Trading Networks in 14th and 15th-century Italy / Cosmopolitan Renaissance: Prints in the Age of Exchange / The World Seen from Venice: Representing the Americas in Grand-scale Wall Maps / Global Renaissance Art: Classroom, Academy, Museum, Canon / Zones of Indifference / The “Global Turn” in Art History: Why, When, and How Does It Matter? / Epilogue: Roundtable -- Index. Sean Roberts -- Jessica Keating -- Ananda Cohen-Aponte -- Thomas DaCosta Kaufmann -- Lauren Jacobi -- Emanuele Lugli -- Stephanie Leitch -- Elizabeth Horodowich -- Lia Markey -- Marie Neil Wolff -- Claire Farago --
Available to subscribing member institutions only.
In The Globalization of Renaissance Art: A Critical Review , Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse’s goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff.
9789004355798
10.1163/9789004355798 DOI
2017052768
Art, Renaissance--Historiography.
Art--Historiography--Methodology.
Art--Historiography--Methodology.
Art, Renaissance--Historiography.
N6370 / .G56 2017
709.02/4