Heads will roll : decapitation in the medieval and early modern imagination /
Heads will roll : decapitation in the medieval and early modern imagination /
edited by Larissa Tracy and Jefff Massey.
- 1 online resource (xviii, 352 pages, [15] pages of plates) : illustrations (chiefly color)
- Medieval and Renaissance authors and texts, v. 7 0925-7683 ; .
- Medieval and Renaissance Authors and Texts 7. European History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257. .
Includes bibliographical references and index.
Preliminary Material -- Introduction / Non potest hoc corpus decollari: Beheading and the Impossible / “Like a Virgin”: The Reheading of St. Edmund and Monastic Reform in Late-Tenth-Century England / A Crowning Achievement: The Royal Execution and Damnation of Eadric Streona / Decapitation, Martyrdom, and Late Medieval Execution Practices in The Book of Margery Kempe / Talking Heads in Hell: Dante’s Use of Severed Heads in Inferno / Severed Silence: Social Boundaries and Family Honor in Boccaccio’s “Tale of Lisabetta” / The Headless Giant: The Function of Severed Heads in the Ahistorical (Aventiurehafte) Dietrich Epics / “To be a ‘Fleschhewere’ ”: Beheading, Butcher-Knights, and Blood Taboos in Octavian Imperator / The Werewolf at the Head Table: Metatheatric “Subtlety” in Arthur and Gorlagon / “So he smote of hir hede by myssefortune”: The Real Price of the Beheading Game in SGGK and Malory / “At the time of his death”: The Contested Narrative of Sir Walter Ralegh’s Beheading / “Killing Swine” and planting heads in Shakespeare’s Macbeth / “Tucked Beneath Her Arm”: Culture, Ideology, and Fantasy in the Curious Legend of Anne Boleyn / “Answering the Call of the Severed Head” / Bibliography -- Index -- Illustrations. Larissa Tracy and Jefff Massey -- Nicola Masciandaro -- Mark Faulkner -- Jay Paul Gates -- Christine F. Cooper-Rompato -- Dwayne C. Coleman -- Mary E. Leech -- Tina Boyer -- Renée Ward -- Jefff Massey -- Larissa Tracy -- Andrew Fleck -- Thomas Herron -- Thea Cervone -- Asa Simon Mittman --
Available to subscribing member institutions only.
The decapitation motif recurs in nearly all medieval and early modern genres, from saints' lives and epics to comedies and romances, yet decollation is often little regarded, save as a marker of humanity (that is, as the moment mortality exits) or inhumanity (that is, as the moment the supernatural enters). However, as a seat of reason, wisdom, and even the soul, the head has long been afforded a special place in the body politic, even when separated from its body proper. Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring \'roles/rolls\' of severed human heads in the medieval and early modern imagination. Contributors are Nicola Masciandaro, Mark Faulkner, Jay Paul Gates, Christine Cooper-Rompato, Dwayne Coleman, Mary Leech, Tina Boyer, Renée Ward, Andrew Fleck, Thomas Herron, Thea Cervone, and Asa Simon Mittman. Preface by Jeffrey Jerome Cohen.
9789004222281
10.1163/9789004222281 DOI
Beheading.
Beheading in literature.
HV8552 / .H43 2012
364.66
Includes bibliographical references and index.
Preliminary Material -- Introduction / Non potest hoc corpus decollari: Beheading and the Impossible / “Like a Virgin”: The Reheading of St. Edmund and Monastic Reform in Late-Tenth-Century England / A Crowning Achievement: The Royal Execution and Damnation of Eadric Streona / Decapitation, Martyrdom, and Late Medieval Execution Practices in The Book of Margery Kempe / Talking Heads in Hell: Dante’s Use of Severed Heads in Inferno / Severed Silence: Social Boundaries and Family Honor in Boccaccio’s “Tale of Lisabetta” / The Headless Giant: The Function of Severed Heads in the Ahistorical (Aventiurehafte) Dietrich Epics / “To be a ‘Fleschhewere’ ”: Beheading, Butcher-Knights, and Blood Taboos in Octavian Imperator / The Werewolf at the Head Table: Metatheatric “Subtlety” in Arthur and Gorlagon / “So he smote of hir hede by myssefortune”: The Real Price of the Beheading Game in SGGK and Malory / “At the time of his death”: The Contested Narrative of Sir Walter Ralegh’s Beheading / “Killing Swine” and planting heads in Shakespeare’s Macbeth / “Tucked Beneath Her Arm”: Culture, Ideology, and Fantasy in the Curious Legend of Anne Boleyn / “Answering the Call of the Severed Head” / Bibliography -- Index -- Illustrations. Larissa Tracy and Jefff Massey -- Nicola Masciandaro -- Mark Faulkner -- Jay Paul Gates -- Christine F. Cooper-Rompato -- Dwayne C. Coleman -- Mary E. Leech -- Tina Boyer -- Renée Ward -- Jefff Massey -- Larissa Tracy -- Andrew Fleck -- Thomas Herron -- Thea Cervone -- Asa Simon Mittman --
Available to subscribing member institutions only.
The decapitation motif recurs in nearly all medieval and early modern genres, from saints' lives and epics to comedies and romances, yet decollation is often little regarded, save as a marker of humanity (that is, as the moment mortality exits) or inhumanity (that is, as the moment the supernatural enters). However, as a seat of reason, wisdom, and even the soul, the head has long been afforded a special place in the body politic, even when separated from its body proper. Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring \'roles/rolls\' of severed human heads in the medieval and early modern imagination. Contributors are Nicola Masciandaro, Mark Faulkner, Jay Paul Gates, Christine Cooper-Rompato, Dwayne Coleman, Mary Leech, Tina Boyer, Renée Ward, Andrew Fleck, Thomas Herron, Thea Cervone, and Asa Simon Mittman. Preface by Jeffrey Jerome Cohen.
9789004222281
10.1163/9789004222281 DOI
Beheading.
Beheading in literature.
HV8552 / .H43 2012
364.66