Re-inventing Ovid’s Metamorphoses : Pictorial and Literary Transformations in Various Media, 1400-1800 /
Enenkel, Karl A.E.,
Re-inventing Ovid’s Metamorphoses : Pictorial and Literary Transformations in Various Media, 1400-1800 / Pictorial and Literary Transformations in Various Media, 1400-1800 Karl A.E. Enenkel, Jan de Jong. - 1 online resource. - Intersections ; 70 . - Intersections ; 70. .
This volume explores early modern recreations of myths from Ovid’s immensely popular Metamorphoses , focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses , what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced. Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hrysko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.
9789004437890 9789004424890
10.1163/9789004437890 DOI
History, Modern.
D209
090.08
Re-inventing Ovid’s Metamorphoses : Pictorial and Literary Transformations in Various Media, 1400-1800 / Pictorial and Literary Transformations in Various Media, 1400-1800 Karl A.E. Enenkel, Jan de Jong. - 1 online resource. - Intersections ; 70 . - Intersections ; 70. .
This volume explores early modern recreations of myths from Ovid’s immensely popular Metamorphoses , focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses , what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced. Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hrysko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.
9789004437890 9789004424890
10.1163/9789004437890 DOI
History, Modern.
D209
090.08