The domination of fear /
The domination of fear /
edited by Mikko Canini.
- 1 online resource (xiv, 214 pages)
- At the interface, probing the boundaries .
- At the Interface / Probing the Boundaries 70. Literature and Cultural Studies E-Books Online, Collection 2010, ISBN: 9789004357921. .
Includes bibliographical references.
Preliminary Material -- Carnographic Culture: America and the Rise of the Torture Porn Film / We’re All Dirty Harry Now: Violent Movies for Violent Times / The Gothic Topography in Scandinavian Horror Fiction / Getting Medieval: Bodies of Fear, Serial Killers and Se7en / Clash of Nihilisms / Long Term Terrorism in Turkey: The Government, Media and Public Opinion / Into the Woods: Little Red Riding Hood and the Wolf / Solar Midnight: Traversing the Abject Borderline State in Rudyard Kipling’s The City of Dreadful Night / The Laughter of Horror: Judgement of the Righteous or Tool of the Devil? / Trash Mob: Zombie Walks and the Positivity of Monsters in Western Popular Culture / Horror and the Politics of Fear / Beth A. Kattelman -- Thomas Riegler -- Yvonne Leffler -- Shona Hill -- Ali Riza Taskale -- Banu Baybars-Hawks -- Cynthia Jones -- Lizzy Welby -- Maureen Moynihan -- Simone do Vale -- Mikko Canini.
Available to subscribing member institutions only.
The tropes of fear, horror and terror have come to play a dominant role the analysis of contemporary social life. The predominance of fear, as the frame through which we narrativize experience, can be perceived readily echoing across various fields from theoretical research, to the mass media, to the quotidian. Despite the commonly held view that fear is a primitive and universal affect, its definition, potential value, and perceived effects vary wildly in each instance. From literary theory to psychoanalysis to politics to philosophy, this collection of research attempts to both flesh-out these tropes and to complexify them. Individually, the essays reflect a diversity of approaches to the constellation: fear, horror and terror. Taken as a whole, they produce the ground for an analysis of the dominance of fear.
9789042030855
10.1163/9789042030855 DOI
Fear.
Fear in motion pictures.
Fear in literature.
Horror films.
Horror in literature.
Fear.
Fear in literature.
Fear in motion pictures.
Horror films.
Horror in literature.
BF575.F2 / D66 2010eb
152.46
Includes bibliographical references.
Preliminary Material -- Carnographic Culture: America and the Rise of the Torture Porn Film / We’re All Dirty Harry Now: Violent Movies for Violent Times / The Gothic Topography in Scandinavian Horror Fiction / Getting Medieval: Bodies of Fear, Serial Killers and Se7en / Clash of Nihilisms / Long Term Terrorism in Turkey: The Government, Media and Public Opinion / Into the Woods: Little Red Riding Hood and the Wolf / Solar Midnight: Traversing the Abject Borderline State in Rudyard Kipling’s The City of Dreadful Night / The Laughter of Horror: Judgement of the Righteous or Tool of the Devil? / Trash Mob: Zombie Walks and the Positivity of Monsters in Western Popular Culture / Horror and the Politics of Fear / Beth A. Kattelman -- Thomas Riegler -- Yvonne Leffler -- Shona Hill -- Ali Riza Taskale -- Banu Baybars-Hawks -- Cynthia Jones -- Lizzy Welby -- Maureen Moynihan -- Simone do Vale -- Mikko Canini.
Available to subscribing member institutions only.
The tropes of fear, horror and terror have come to play a dominant role the analysis of contemporary social life. The predominance of fear, as the frame through which we narrativize experience, can be perceived readily echoing across various fields from theoretical research, to the mass media, to the quotidian. Despite the commonly held view that fear is a primitive and universal affect, its definition, potential value, and perceived effects vary wildly in each instance. From literary theory to psychoanalysis to politics to philosophy, this collection of research attempts to both flesh-out these tropes and to complexify them. Individually, the essays reflect a diversity of approaches to the constellation: fear, horror and terror. Taken as a whole, they produce the ground for an analysis of the dominance of fear.
9789042030855
10.1163/9789042030855 DOI
Fear.
Fear in motion pictures.
Fear in literature.
Horror films.
Horror in literature.
Fear.
Fear in literature.
Fear in motion pictures.
Horror films.
Horror in literature.
BF575.F2 / D66 2010eb
152.46