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Israel at Vanity Fair : Jews and Judaism in the Writings of W.M. Thackeray / S.S. Prawer.

By: Material type: TextLanguage: English Series: Brill's Series in Jewish Studies ; 2.Publisher: Leiden ; Boston : Brill, 1992Copyright date: ©1992Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004679092
Other title:
  • Jews and Judaism in the Writings of W.M. Thackeray
Subject(s): Additional physical formats: Print version:: Israel at Vanity Fair : Jews and Judaism in the Writings of W.M. Thackeray.DDC classification:
  • 823/.8 23
LOC classification:
  • PR5642.J48
Online resources:
Contents:
Preliminary Material / S.S. Prawer -- Acknowledgments / S.S. Prawer -- Introduction / S.S. Prawer -- Chapter 1 Queer Graces (1811–1836) / S.S. Prawer -- Chapter 2 Shadows At Folly’s Heels (1836–1840) / S.S. Prawer -- Chapter 3 Wandering Race (1840–1843) / S.S. Prawer -- Chapter 4 High Life and Squalor (1843–1846) / S.S. Prawer -- Chapter 5 Patterns of Penetration (1841–1847) / S.S. Prawer -- Chapter 6 Rebecca at the Fair (1847–1848) / S.S. Prawer -- Chapter 7 The World of Alderman Moses (1848–1851) / S.S. Prawer -- Chapter 8 Beyond the Counting-House (1852–1857) / S.S. Prawer -- Chapter 9 Ever Wonderful (1857–1863) / S.S. Prawer -- Conclusion / S.S. Prawer -- Appendix / S.S. Prawer -- Select Bibliography / S.S. Prawer -- Index / S.S. Prawer.
Summary: The book seeks, for the first time in any language, to combine Thackeray's many depictions of, and comments on, Jews and Judaism, from Old Testament times to his own present, into a coherent, chronologically ordered narrative. Texts and early versions that have not found their way into the collected editions are considered alongside well-known passages from Barry Lyndon, Vanity Fair, The Newcomes and Rebecca and Rowena . Since Thackeray illustrated many of his own works, graphic illustrations are as carefully chronicled and considered as narrative ones. The writings and drawings examined are set in a fourfold context: Thackeray's own life, psychological make-up, and developing art and opinions; the social history of Britain and its Jews; British and European literary and graphic conventions, traditions, and stereotypes; and the interplay of prejudice or animus with an essential British fair-mindedness that strives to present as truthful a picture as the author's limited perspectives, or satiric and humorous purposes, will allow. The book constitutes a substantial addition to the existing body of studies devoted to the image of Jews and Judaism in the work of influential non-Jewish writers and artists.
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Includes bibliographical references and index.

Preliminary Material / S.S. Prawer -- Acknowledgments / S.S. Prawer -- Introduction / S.S. Prawer -- Chapter 1 Queer Graces (1811–1836) / S.S. Prawer -- Chapter 2 Shadows At Folly’s Heels (1836–1840) / S.S. Prawer -- Chapter 3 Wandering Race (1840–1843) / S.S. Prawer -- Chapter 4 High Life and Squalor (1843–1846) / S.S. Prawer -- Chapter 5 Patterns of Penetration (1841–1847) / S.S. Prawer -- Chapter 6 Rebecca at the Fair (1847–1848) / S.S. Prawer -- Chapter 7 The World of Alderman Moses (1848–1851) / S.S. Prawer -- Chapter 8 Beyond the Counting-House (1852–1857) / S.S. Prawer -- Chapter 9 Ever Wonderful (1857–1863) / S.S. Prawer -- Conclusion / S.S. Prawer -- Appendix / S.S. Prawer -- Select Bibliography / S.S. Prawer -- Index / S.S. Prawer.

The book seeks, for the first time in any language, to combine Thackeray's many depictions of, and comments on, Jews and Judaism, from Old Testament times to his own present, into a coherent, chronologically ordered narrative. Texts and early versions that have not found their way into the collected editions are considered alongside well-known passages from Barry Lyndon, Vanity Fair, The Newcomes and Rebecca and Rowena . Since Thackeray illustrated many of his own works, graphic illustrations are as carefully chronicled and considered as narrative ones. The writings and drawings examined are set in a fourfold context: Thackeray's own life, psychological make-up, and developing art and opinions; the social history of Britain and its Jews; British and European literary and graphic conventions, traditions, and stereotypes; and the interplay of prejudice or animus with an essential British fair-mindedness that strives to present as truthful a picture as the author's limited perspectives, or satiric and humorous purposes, will allow. The book constitutes a substantial addition to the existing body of studies devoted to the image of Jews and Judaism in the work of influential non-Jewish writers and artists.

English

Description based on print version record.

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